British -- France -- Fiction; French -- England -- Fiction; Love stories
Toppie was in Bournemouth with her father and it was evident from her
letters that Mr. Westmacott was dying. Although Giles had not seen her
for such a long time, it was natural that he should be thinking of
Toppie rather than of her, so that she said nothing, and it was Giles
himself who introduced her theme.
“Why didn’t you stay on at Cresswell?” he asked her. “I saw Jerry in
Oxford just before I came down, and he evidently thought they were to
keep you for a month.”
“Oh, but I never intended that,” said Alix. “I said I must be back here
for your time at home.”
“That was awfully sweet of you, my dear child,” said Giles, who walked
about, looking very tall in his new grey tweeds. “I’m awfully glad to
find you here, of course; but you know what I feel about cake and
bread-and-butter, and I should like you to eat the full slice. How was
the Blue Boy costume? Jerry told me about that.”
“It was very pretty. I looked well in it,” said Alix. “Our photographs
were all taken. You shall see how I looked, Giles.”
“And you and Jerry rode a lot?”
“Yes. We rode almost every morning. I love riding, Giles. Even more than
dancing.”
“Yes. Of course you do,” said Giles rather absently. “Why shouldn’t you
love it? You like Jerry as much as ever, don’t you? You and he are great
pals?”
Alix almost had to smile a little at this, it was so transparent of
Giles, though, a fortnight ago, she would, perhaps, not have seen how
transparent it was. It made it easier for her, however, and as she
answered:—“Yes. Great pals. Yes; I like him as much as ever,”—she
raised her eyes to his and saw that he continued to look at her as
though aware of approaching confidences. It would not be at all
difficult to make confidences to Giles. She felt him very, very much
older than herself and, if that were possible, even kinder than before.
How strange, the thought passed through her mind;—it was easier to tell
Giles than it would have been to tell Maman. The moment had come and,
keeping her eyes on her friend, she said: “He wants me to marry him.”
She sat there on the sofa in her blue fritillary jumper and her dark
beads, her hands lightly clasped around one of the old leather cushions,
a little as she might have sat, in her early convent days, giving an
account of herself in the _parloir_—where the lives of the saints,
heavily gilded, lay symmetrically on the centre table—to the relative
who had come to pay her a weekly visit. Decorum was in her voice and
attitude; and though she knew a sense of trembling beneath her calm
words she was sustained by her assurance of suitability. It was suitable
that she should tell Giles of her offer of marriage.
And he did not seem at all surprised. He turned to get his pipe and
filled and lighted it, first pressing down the tobacco with his finger
in the way she liked to watch, and all this was done very deliberately
before he spoke. Then he said—could anything be easier than to tell
things to Giles—“And what do you want, Alix?”
Public-domain text, read in full here on John Shaqi.
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