The Little Review, June-July 1916 (Vol. 3, No. 4) — John Shaqi
The Little Review, June-July 1916 (Vol. 3, No. 4)Various
General
The Little Review, June-July 1916 (Vol. 3, No. 4)
Various
Literature, Modern -- 20th century -- Periodicals
Prisoner’s-base, and its swooping, veering, racing, giggling, bumping.
The First Consul runs plump into M. de Beauharnais and falls. But he
picks himself up smartly, and starts after M. Isabey. Too late, M. Le
Premier Consul, Mademoiselle Hortense is out after you. Quickly, my dear
Sir! Stir your short legs, she is swift and eager, and as graceful as
her mother. She is there, that other, playing too, but lightly, warily,
bearing herself with care, rather floating out upon the air than
running, never far from goal. She is there, borne up above her guests as
something indefinably fair, a rose above periwinkles. A blown rose,
smooth as satin, reflexed, one loosened petal hanging back and down. A
rose that undulates languorously as the breeze takes it, resting upon
its leaves in a faintness of perfume.
* * * * *
There are rumours about the First Consul. Malmaison is full of women,
and Paris is only two leagues distant. Madame Bonaparte stands on the
wooden bridge at sunset, and watches a black swan pushing the pink and
silver water in front of him as he swims, crinkling its smoothness into
pleats of changing colour with his breast. Madame Bonaparte presses
against the parapet of the bridge, and the crushed roses at her belt
melt, petal by petal, into the pink water.
IV
A vile day, Porter. But keep your wits about you. The Empress will soon
be here. Queer, without the Emperor! It is indeed, but best not consider
that. Scratch your head and prick up your ears. Divorce is not for you
to debate about. She is late? Ah, well, the roads are muddy. The rain
spears are as sharp as whetted knives. They dart down and down, edged
and shining. Clop-trop! Clop-trop! A carriage grows out of the mist.
Hist, Porter. You can keep on your hat. It is only Her Majesty’s dogs
and her parrot. Clop-trop! The Ladies in Waiting, Porter. Clop-trop! It
is Her Majesty. At least, I suppose it is, but the blinds are drawn.
“In all the years I have served Her Majesty she never before passed the
gate without giving me a smile!”
“You’re a droll fellow, to expect the Empress to put out her head in the
pouring rain and salute you. She has affairs of her own to think about.”
Clang the gate, no need for further waiting, nobody else will be coming
to Malmaison tonight.
White under her veil, drained and shaking, the woman crosses the
antechamber. Empress! Empress! Foolish splendour, perished to dust.
Ashes of roses, ashes of youth. Empress forsooth!
Over the glass domes of the hot houses drenches the rain. Behind her a
clock ticks—ticks again. The sound knocks upon her thought with the
echoing shudder of hollow vases. She places her hands on her ears, but
the minutes pass, knocking. Tears in Malmaison. And years to come each
knocking by, minute after minute. Years, many years, and tears, and cold
pouring rain.
“I feel as though I had died, and the only sensation I have is that I am
no more.”
Public-domain text, read in full here on John Shaqi.
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