The Little Review, June-July 1916 (Vol. 3, No. 4)Various
General
The Little Review, June-July 1916 (Vol. 3, No. 4)
Various
Literature, Modern -- 20th century -- Periodicals
Rain! Heavy, thudding rain!
V
The roses bloom at Malmaison. And not only roses. Tulips, myrtles,
geraniums, camellias, rhododendrons, dahlias, double hyacinths. All the
year through, under glass, under the sky, flowers bud, expand, die, and
give way to others, always others. From distant countries they have been
brought, and taught to live in the cool temperateness of France. There
is the _Bonapartea_ from Peru; the _Napoleone Impériale_; the
_Josephinia Imperatrix_, a pearl-white flower, purple-shadowed, the
calix pricked out with crimson points. Malmaison wears its flowers as a
lady wears her gems, flauntingly, assertively. Malmaison decks herself
to hide the hollow within.
The glass-houses grow and grow and every year fling up hotter reflexions
to the sailing sun.
The cost runs into millions, but a woman must have something to console
herself for a broken heart. One can play backgammon and patience, and
then patience and backgammon, and stake gold Napoleons on each game won.
Sport truly! It is an unruly spirit which could ask better. With her
jewels, her laces, her shawls; her two hundred and twenty dresses, her
fichus, her veils; her pictures, her busts, her birds. It is absurd that
she cannot be happy. The Emperor smarts under the thought of her
ingratitude. What could he do more? And yet she spends, spends as never
before. It is ridiculous. Can she not enjoy life at a smaller figure?
Was ever monarch plagued with so extravagant an ex-wife? She owes her
chocolate-merchant, her candle-merchant, her sweetmeat purveyor; her
grocer, her butcher, her poulterer; her architect, and the shopkeeper
who sells her rouge; her perfumer, her dressmaker, her merchant of
shoes. She owes for fans, plants, engravings, and chairs. She owes
masons and carpenters, vintners, lingères. The lady’s affairs are in sad
confusion.
And why? Why?
Can a river flow when the spring is dry?
* * * * *
Night. The Empress sits alone, and the clock ticks, one after one. The
clock nicks off the edges of her life. She is chipped like an old bit of
china; she is frayed like a garment of last year’s wearing. She is soft,
crinkled, like a fading rose. And each minute flows by brushing against
her, shearing off another and another petal. The Empress crushes her
breasts with her hands, and weeps. And the tall clouds sail over
Malmaison like a procession of stately ships bound for the moon.
* * * * *
Scarlet, clear-blue, purple epauletted with gold. It is a parade of
soldiers sweeping up the avenue. Eight horses, eight Imperial harnesses,
four caparisoned postillions, a carriage with the Emperor’s arms on the
panels. Ho, Porter, pop out your eyes, and no wonder. Where else under
the Heavens could you see such splendour!
Public-domain text, read in full here on John Shaqi.
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