The Little Review, May 1915 (Vol. 2, No. 3)Various
General
The Little Review, May 1915 (Vol. 2, No. 3)
Various
Literature, Modern -- 20th century -- Periodicals
I hate that town; ...
There were always clouds, smoke, rain
In that dingy little valley.
It rained; it always rained.
I think I never saw the sun until I was nine—
And then it was too late;
Everything’s too late after the first seven years.
That is very vivid. So, too, is the description of the contents of the
large tin box in the attic. But Mr. Aldington never allows the
descriptions to usurp the poem; he keeps them properly subordinated to
his theme, the loneliness of the child.
Fine as this poem is, it seems more experimental than Mr. Aldington’s
shorter work. Long poems require a different technique from short poems,
and perhaps Mr. Aldington has not yet become quite master of it. It is
in the short poems that he is so eminently successful.
_The Poplar_ is an almost perfect poem of its kind. A complete “image,”
and with that fine, poetic imagination which is the hall-mark of Mr.
Aldington’s best work. What could be more beautiful than this:
I know that the white wind loves you,
Is always kissing you and turning up
The white lining of your green petticoat.
The sky darts through you like blue rain,
And the grey rain drips on your flanks
And loves you.
And I have seen the moon
Slip his silver penny into your pocket
As you straightened your hair;
And the white mist curling and hesitating
Like a bashful lover about your knees.
_The Poplar_ is, on the whole, the best poem of Mr. Aldington’s in the
book, but _The Faun Sees Snow for the First Time_ runs it close. And
here we have that divine gift of poetical humor which is another of Mr.
Aldington’s rare qualities. Space alone prevents me from quoting it. But
if I put these two first, where shall I put _Round-Pond_, with its sun
“shining upon the water like a scattering of gold crocus-petals”?
Mr. Aldington has advanced in his art. In spite of the _Faun_ and
_Lemures_, he has sloughed off much of the Greek mannerism which marred
his work in the first anthology. The training which his Greek studies
have given him, is here put to excellent and individual use. One looks
for much from him in the future.
Public-domain text, read in full here on John Shaqi.
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