Because of this simple fact the patron is absolutely at the mercy of the artist, and the artist at the cost of some discomfort—personal, transient discomfort—is almost wholly free of the patron, whether this latter be an individual, or the hydra-headed detestable vulgus. There is no misanthropy in a thorough contempt for the mob. There is no respect for mankind save in respect for detached individuals. Eeldrop and Appleplex T. S. Eliot I. Eeldrop and Appleplex rented two small rooms in a disreputable part of town. Here they sometimes came at nightfall, here they sometimes slept, and after they had slept, they cooked oatmeal and departed in the morning for destinations unknown to each other. They sometimes slept, more often they talked, or looked out of the window. They had chosen the rooms and the neighborhood with great care. There are evil neighborhoods of noise and evil neighborhoods of silence, and Eeldrop and Appleplex preferred the latter, as being the more evil. It was a shady street, its windows were heavily curtained; and over it hung the cloud of a respectability which has something to conceal. Yet it had the advantage of more riotous neighborhoods near by, and Eeldrop and Appleplex commanded from their windows the entrance of a police station across the way. This alone possessed an irresistible appeal in their eyes. From time to time the silence of the street was broken; whenever a malefactor was apprehended, a wave of excitement curled into the street and broke upon the doors of the police station. Then the inhabitants of the street would linger in dressing-gowns, upon their doorsteps: then alien visitors would linger in the street, in caps; long after the centre of misery had been engulphed in his cell. Then Eeldrop and Appleplex would break off their discourse, and rush out to mingle with the mob. Each pursued his own line of enquiry. Appleplex, who had the gift of an extraordinary address with the lower classes of both sexes, questioned the onlookers, and usually extracted full and inconsistent histories: Eeldrop preserved a more passive demeanor, listened to the conversation of the people among themselves, registered in his mind their oaths, their redundance of phrase, their various manners of spitting, and the cries of the victim from the hall of justice within. When the crowd dispersed, Eeldrop and Appleplex returned to their rooms: Appleplex entered the results of his inquiries into large note-books, filed according to the nature of the case, from A (adultery) to Y (yeggmen). Eeldrop smoked reflectively. It may be added that Eeldrop was a sceptic, with a taste for mysticism, and Appleplex a materialist with a leaning toward scepticism; that Eeldrop was learned in theology, and that Appleplex studied the physical and biological sciences.