The Little Schoolmaster Mark: A Spiritual RomanceShorthouse, J. H. (Joseph Henry)
Religion
The Little Schoolmaster Mark: A Spiritual Romance
Shorthouse, J. H. (Joseph Henry)
Fiction
It might have seemed impossible to one easily stirred, easily wrought
upon by a woman's beauty--it would surely have seemed impossible to such
a one that any could gaze on a sight like this and harbour a selfish
thought; but the old man was perfectly unmoved.
"It is always the way," he said peevishly, "always the way with women;
now we shall have a scene--tears--entreaties. I shall be called all
manner of hard names for giving sensible advice."
And he turned his back upon the girl, and stood sullenly, gazing
apparently upon one of the painted panels of the wall.
For about a minute there was a terrible pause, then the curtains that
veiled the _salon_ were drawn forcibly back, and the groom of the
chambers, who was a Frenchman, announced suddenly--
"_Monseigneur le Prince._"
VIII.
THE Prince came forward smiling. The Maestro made a gesture of
inexpressible relief. He shuffled off toward the still opened curtain,
and, turning as he reached it, he bowed to the ground before his patron
and his pupil, and disappeared through the opening as the servant let
the curtain drop. We shall not care, I think, to see him again.
Faustina looked still more scared and bewildered than before at this
sudden change of actors and of parts. She would gladly have left the
room but she was incapable of anything of the kind--besides, where
should she go? The scene seemed to swim before her eyes, and the lights
to flicker. She sank down on her chair again.
The Prince had never looked so well. He was flushed with excitement, and
the habitual _insouciance_ of his manner had given place to a reality
and earnestness of purpose which rendered eloquent his every gesture and
look. He was exquisitely dressed in silk, embroidered with flowers. The
priceless lace at his wrists and throat accommodated itself, with a
delicate fulness, to the soft outline of his dress and figure. His
expression was full of kindliness and protection, but of kindliness
delicate and refined. The girl's eyes were fascinated in spite of
herself.
"Have you quarrelled with the Maestro, Tina?" said the Prince. "He
seemed in a marvellous hurry to be gone."
Faustina made two or three ineffectual attempts to speak before she
could find her voice. She burst into tears.
"He is cruel! cruel!" she said. "He does not love me. He will not have
me any longer. He throws me away."
"Poor child!" said the Prince, "you will not be deserted. I am your
friend; we are all your friends. The Maestro even will come back to you.
He is cross and angry. When he finds how lost he is without you and your
lovely voice, he will come back to you; you and he will carry all before
you again."
"Speak to him, Highness!" cried the girl passionately. "You are kind
and good to all--kinder than any one to me. Speak to him! do not let
him go without me! He cannot live without his music, and no one surely
can know his music so well as I, whom he has taught!"
Public-domain text, read in full here on John Shaqi.
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