The Little Schoolmaster Mark: A Spiritual RomanceShorthouse, J. H. (Joseph Henry)
Religion
The Little Schoolmaster Mark: A Spiritual Romance
Shorthouse, J. H. (Joseph Henry)
Fiction
She looked so indescribably attractive in her tears and her distress
that the Prince wondered at the sight. "Let her go, indeed!"
"Tina," he said very kindly, "I fear that can hardly be. The Maestro is
only going for a time. There is, in fact, no need that he should go at
all. It is his own wish, his own wish, Tina. He is too old to make his
way among strangers, and will soon come back. But you we cannot spare.
You are too much a favourite with us all. We are too much accustomed to
you: every one would miss you--the Princess and all; you must stay with
us."
"I cannot stay," said the girl, looking earnestly and beseechingly at
the Prince. "I want to go with him."
The Prince hesitated for a moment. In an instantaneous flash of thought
the two paths lay open before him, plain and clear to be seen.
Carricchio's warning struck him again with renewed force. The more
terrible presage of Mark's death cast itself, ghostlike, before his
steps. He could plead no excuse of self-deception: he saw the beauty and
the danger of the way which lay before him on either hand. He hesitated
for a moment, then he deliberately chose the lower path.
"Tina," he said, "I cannot spare you; you must not go. You are mine--I
love you; you belong to me;" and he stepped forward, as if to take her
in his arms.
The girl sprang to her feet. She drew herself up to her full height, and
her splendid eyes, expanded to their full orbit, flashed upon the Prince
with a look of astonishment and reproach. With the entire power of her
trained voice, which, magnificent as it was, could still but imperfectly
render the reality of remonstrance and pathetic regret, she uttered but
one word--"Prince!"
The cadence of her voice, trembling in the passionate intensity of
musical tone, the whole power of her woman's nature, exerted to its full
in expostulation and reproach--the magnetic force of her intense
consciousness--struck upon the conscience and cultured taste of the
Prince with crushing effect. He lost the perfectly serene tone of pose
and demeanour which distinguished him and became him so well. He aged
perceptibly, incredible as it may seem, ten years. The fatal step which
he had taken was revealed to him in a moment as in a flash of light,
with all the stain and taint with which it had tarnished the fair dream
of finished art which he had conceived it possible to perfect. He was
utterly demoralised and crushed. Mark's death was nothing to this. That
had been a terrible mistake, but his part in it had been indirect, and
his motive, at least so he flattered himself, comparatively high; but
this action, so entirely his own, revealed to him, in its vulgar
commonplaceness, by the glorious perfection of the girl's action and
tone, withered him with a sense of irreparable failure and disgrace. He
made one or two ineffectual attempts to rally; it was impossible--there
was nothing for him but to leave the room.
Public-domain text, read in full here on John Shaqi.
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