The majority of persons appear to believe, with Shakspeare, that the Moors are a black, ill-favoured people; but, on the contrary, the Moorish women would be considered beautiful even in England, and the children have the finest complexions in the world. The men, from constant exposure to the sun, are generally swarthy, but never black; and the fine olive tinge they thus acquire only renders their complexions the more agreeable to the eye, as Heber observes of the Hindoos. In these countries, as in Southern Asia, women are nubile at a very early age, being very frequently mothers at eleven, and grandmothers at twenty-two. The circumstance which renders the seclusion of women necessary in such countries is, that the age of puberty precedes the age of discretion; for the passions reaching their maturity long before the reason, they stand in need of being directed by the reason of others until their own is ripened, and when it is they have lost the habit of consulting it. The ancient custom of hiring old women, who, as the prophet Amos expresses it, “are skilful in lamentation,” to perform at funerals, still prevails in Barbary; and so powerful is the effect of this scenical representation of sorrow, that when they are ἀλαλάζοντας πολλά, or “wailing greatly,” expressing their mimic grief by sound, gestures, and contortions of countenance, they seldom fail to work up the bystanders to an ecstasy of sorrow, so that even the English, who know it to be artificial, are deeply touched by it.