The London pleasure gardens of the eighteenth centuryWroth, Warwick William
History
The London pleasure gardens of the eighteenth century
Wroth, Warwick William
London (England) -- History -- 18th century; Parks -- England -- London -- History
In 1698 (23 May) a vocal and instrumental concert was given, and
the company enjoyed such harmony as can be produced by an orchestra
composed of violins, hautboys, trumpets and kettledrums. This was
one of the concerts given in the Music House twice a week throughout
the season and lasting from ten o’clock to one. In 1699 James Miles
and Francis Forcer (_d._ 1705?), a musician, appear to have been
joint proprietors of Sadler’s Wells, which was for some years styled
Miles’s Music House. In this year (1699) there was an exhibition of
an “ingurgitating monster,” a man, who, for a stake of five guineas,
performed the hardly credible feat of eating a live cock. This
disgusting scene was witnessed by a very rough audience, including
however some beaux from the Inns of Court. A brightly painted gallery
in the saloon used for the entertainments appears to have been occupied
by the quieter portion of the audience, who were able from thence
to survey the pit below, which was filled, according to Ned Ward
(_circ._ 1699), with butchers, bailiffs, prize-fighters, and
housebreakers. The audience smoked and regaled themselves with ale and
cheese-cakes; while the organ played, a scarlet-clad fiddler performed,
and a girl of eleven gave a sword dance.
In 1712, Miles’s Music House was the scene of a fatal brawl in which
Waite, a lieutenant in the Navy, was killed by a lawyer named French,
“near the organloft.” In 1718 it is mentioned as the resort of
“strolling damsels, half-pay officers, peripatetic tradesmen, tars,
butchers and others musically inclined.”
Miles died in 1724 and probably about that time Forcer’s son, Francis
Forcer, junior (_d._ 1743), an educated man of good presence,
became proprietor and improved the entertainments of rope-dancing
and tumbling. The neighbourhood of Sadler’s Wells about this period
was infested by footpads. It was consequently a common sight to see
link-boys with their flaming torches standing outside the theatre, and
horse patrols were often advertised (_circ._ 1733–1783) as escorts to
the City and the West End. Occasionally the play-bills announced:--“It
will be moonlight.”
Public-domain text, read in full here on John Shaqi.
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