When I first knew Phyllis, though always candid, she was inclined to be rather "county," the sort of woman "whose people are all Service people, you know"; she lived with her mother, near Chester Square, who at first disliked me because I was not in the Brigade of Guards, but later grew quite pleasantly used to me since I, unlike the Brigade of Guards, it seems, did at least acknowledge my habitual presence in her house by emptying Solomon's glory into her flower vases; and if there's a better reason than gratitude for getting into debt, tell it to me, please. But Phyllis, like many another good woman of these Liberal times, turned her bored back on "county," and only remembered what was "done" the better not to do it; fought for, and won a latchkey; asserted her right to come home at night as late as she pleased, and _how_ she pleased--for she had come home from a dance one night on a benevolent motor lorry, which she had begged to pick her up on Piccadilly in pity for her "tired bones," and which, in cumbrously dropping her at mother's door, woke up the whole street. And I can so well imagine Phyllis, as she fitted in her latchkey, murmuring, languidly, but without much conviction, "What fun women have...." But, in the reaction of her type against the preceding age of Victoria, she went to the other extreme; saw life too much through the medium of a couple of absinthe cocktails before each meal, and sex too much as though it were entirely a joke, which it isn't ... quite. She cut her hair short, and took to saying "damn" more often than was strictly necessary. In fact, she would have been quite unbearable if she hadn't been pretty, which she delightfully was. And, unlike her more careless sisters of Chelsea, Hampstead, and Golders' Green, she did not make the terrible mistake of dressing all anyhow, or make a point of being able to "put up with anything"; such as, sleeping on studio floors after a party, in such a way as to collect the maximum amount of candle grease and spilled drink on her skirts, and wearing men's discarded felt hats, cut as no decent man would be seen alive wearing one, and Roger Fry sort of blouses which don't quite make two ends meet at the back, and carrying queer handbags made, perhaps, out of the sole of a Red Indian's threadbare moccasin.... Bohemians indeed, but without so much as a "Bo" anywhere about them!