“Mystery? None, my dear, except that I’m tired to death, and have the
round of the house to go before I get to bed.”
He spoke the truth. Mystery there was none, except that out of his
great love for her he was learning many lessons. And she tempted him,
meanwhile, to tell her what this business was that had taken Simon and
himself to the open fields; but he gave no answer.
And that evening passed, as many another had done, with a monotony that
seemed to tick the seconds out, deliberate as the eight-day clock in
the hall--a passionless, grave clock that had seen many generations of
the Royds go through their hot youth, their fiery middle-age, their
last surrender--surrender honourable, upright, staunch in the last
hour, to that great general, Death, who has taken more citadels than
any human hero of renown.
The eight-day clock knew that life was not meant to be taken at the
gallop, each moment packed with ambush, high romance, fine-spoken
wooing that could not outlast the honeymoon. It knew that fine
deeds--big moments when the heart finds room to know itself--are earned
by steady preparation, ticked out by the slow-moving seconds. But Nance
had all this to learn as yet, and this evening, of all evenings she
had spent at Windyhough, seemed the longest and the dreariest. And my
lady’s little spaniel--a nervous, unlicked lap-dog--annoyed her beyond
reason.
Lady Royd was full of dread and surmise. First, she heard a mouse
gnawing at the wainscoting, and fell into a panic obviously real. Then
a farm-dog began to yelp and whimper from the stables, and she was sure
it foretold disaster to her husband.
“It was so foolish of him,” she said, “to go on this wild Rising. He
had all to keep him here--his wife and his two sons and the house he
loved, and the hunting in the winter. Why did he leave it all? He had
_all_ to keep him, Nance.”
Because she was tired and heart-sick, perhaps, Nance spoke with a
wisdom not her own; for at these times we do not lash instinct to the
gallop, but let it carry us like a sure-footed horse. “Except his
heart. It was his heart that took him south.”
“But his heart was here, my girl,” put in the other, with sudden
spirit. She had been moved to terror by the sound of a mouse in the
wainscoting; but she was fierce in her defence of the love her goodman
bore her.
“No,” said Nance gently, as if she persuaded a child to learn some
obvious and simple lesson, “his heart could not be here until he had
answered the call of honour.”
“Oh, spare me!” sighed the other languidly. “Honour is so pretty a
thing--like a rapier, or a Frenchman’s wit--when they sing of it in
ballads. But in practice it is like getting up at sunrise to see the
poet’s dawn--so chilly and uncomfortable, Nance.”
Public-domain text, read in full here on John Shaqi.
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