English essays -- 20th century; Natural history -- Outdoor books
“When I first saw her, I knew that I would love her, and that she
would love me. The bluebells had drooped and faded, their spirits
gone to make the sky a deeper hue, and somewhere in the wind pealed
the ghostly chimes of their fragrance. The meadow was glorious with
buttercups, and the light reflected upwards from so thick a cluster of
golden rivets driven into the grasses glowed on her face as she walked
slowly across the field. She wore a print dress, and her brown hair was
thick and loosely coiled. But it was her eyes that made her face so
sweet--they were gentle like those of a hare. I just stood and looked
at her. Then she was gone, and I hid behind a hedge, but she did not
look back. Her father was an artist living in a cottage by the farm,
and she was his only daughter. When we knew each other, I used to talk
a lot with him, and she would listen with earnest eyes upon me, as I
could see without actually looking at her. When I did glance at her,
she would look on the ground, and then we smiled, and in her cheeks
I saw the bramble blossom steal and die. Her father sang the song of
Julien in the opera _Louise_, and would think of his dead wife as he
sat at the piano. And I would think of Louise as I first saw her, in
her simple dress, bareheaded in the meadow, with a rich golden-brown
light on her cheeks like the lacquered ripples of a stream hovering and
gleaming under a bridge.”
“You are very sad,” I said.
“A poet is always sad,” he answered.
“Then there should be no poets if that is so. Happiness is greater than
poetry.”
“You are right,” he whispered presently, “but let me tell you my tale
before it is too late, for shortly the wood will be down, and on the
place where we stand will be houses. And when that happens the last
link will be broken.”
“Terry and I and Louise became fast friends, and so we grew up. I went
away to London in order to learn the tea trade. Terry stopped here with
his father, and, instead of sitting on a stool in a dim office, helped
with the sowing and the reaping. One day in summer Louise and I were
walking over the Seven Fields, and by a stile I put my arm round her,
and she said, ‘No, Julien, not yet,’ but said it so softly and timidly
that I knew she loved me. And I held her, the little thing that she
was, in my arms, just to feel her making a small struggle, and to watch
her shy eyes and tinted cheeks. But she would not let me kiss her, so I
pretended to say farewell to her, but she pressed my hand and told me
to stay. And when I asked her if she loved me, she would not answer.
“‘Would you break my heart, Louise?’ I said. ‘You know I love you.’
“‘No, Julien,’ she answered very softly, ‘but I do not want you to
break your own.’
“‘What do you mean, Louise?’
Public-domain text, read in full here on John Shaqi.
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