He found both drawing-room and dining-room equally unbearable in
his present mood, for both were oppressively characteristic of
Helwise, curiously so, since her character seemed always a shifting
thing, sliding through your fingers and resting nowhere. He had lost
his mother early--before his teens--but the house, under the firm
conservatism of his father and an old servant, had kept her memory
and her tenets for long. Helwise, however, had banished them very
completely. With a long-nursed resentment he marked the disorder of
the dining-room, the drunken regiment of chairs, the holes in the lace
curtains, the cheap almanacs pinned haphazard between the good prints.
Helwise loved to surround herself with calendars. They gave her a sense
of keeping even with Time. He could not steal a march on her by a
single day, while some grocer’s tribute marked the black footsteps of
his pilgrimage. Yet she rarely availed herself of their services, left
them hanging for years--horrible traps to the unwary--her own hasty
references being invariably directed to the wrong month.
Lanty frowned distastefully at their almost ribald askewness, at the
torn places in the paper where the crooked pins had slipped, at the
untidy hearth and wild mass of correspondence on the open desk. It
should have been a handsome room, by rights, for it was bright and
well proportioned. The severe furniture that his father had bought had
mellowed with time, and the few bits of silver on the sideboard had
lost their parvenu air of recent presentation. He had chosen the carpet
himself, and its soft, dark tints still pleased him, in spite of the
tread worn white by the hurrying feet of his aunt. But there was no
ease or homeliness in the room, and it was certainly not handsome, save
as an elderly _roué_ of once better days is handsome, in a last drunken
effort after dignity and repose.
Public-domain text, read in full here on John Shaqi.
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