The drawing-room was worse. He had had no hand in the drawing-room,
so Helwise had let herself loose upon it, with results that made
him creep. He hated it, from the collection of smug pot dogs on the
mantelpiece to the bad Marcus Stone imitations on the cold blue of the
walls. He hated the cheap books lying about, the spindly furniture,
the innumerable chair-backs bristling so fiercely with pins that you
dared neither lay your head on them in front nor your hand on them
from behind. There was only one comfortable chair in the room, and
that was sacred to Helwise. Not that she ever actually claimed it as
hers, but if you sat down on it by accident, she wandered helplessly
over the wild-patterned carpet as if there wasn’t another seat within
reach, until you became gradually aware of criminal poaching, and arose
with shame. There were almanacs here, too, gaudy things evidently of
a higher grade, matching, with a pleasantly thoughtful touch, the
shrieking tiles of the modern grate. The wide fireplace of his youth
had been a sacred altar, lighting a torch to many dreams, lifting the
smoke of many prayers; but nobody but a Post-Impressionist could have
prayed to this grate, and its brazen canopy had never housed a single
vision.
With a half-sigh he wandered out again and into the garden, but even
here Helwise had successfully impressed herself. During one of his
very rare absences she had had the fine box-borders removed, and the
paths edged with glittering rockery-stones, intersected by scrubby and
unwilling little ferns. Lanty never quite forgot what he had felt at
sight of them. There was an old song he had been used to growl softly
as he walked between the box, a tender thing called “My Lady’s Garden,”
and sometimes, at dusk, after a hard day, he had vaguely thought to
find her there in the cool of the evening, even as himself and Another.
He had always missed her, but she had been there, he was sure of that.
But when the rockery-stones appeared, she came no more; and to all his
big wants and losses there was added the loss of a little dream.
Public-domain text, read in full here on John Shaqi.
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