The Lonely Way—Intermezzo—Countess Mizzie: Three PlaysSchnitzler, Arthur
General
The Lonely Way—Intermezzo—Countess Mizzie: Three Plays
Schnitzler, Arthur
German drama -- Translations into English
Adventures...! Is it actually necessary, then, to live through them? A
painter who has risen above pot-boiling, and who has left the follies
of youth behind him, can be satisfied with a single model for all the
figures that are created out of his dreams--and one who knows how to
live may have all the adventures he could ever desire within the
peaceful precincts of his own home. He can experience them just as
fully as anybody else, but without waste of time, without
unpleasantness, without danger. And if he only possess a little
imagination, his wife may bear him nothing but illegitimate children
without being at all aware of it.
AMADEUS
It's an open question whether you have the right to force such a part
on anybody whom you respect.
ALBERT
It is not wise to let people know what they mean to you. I have put
this thought into an aphorism:
If you grasp me, you rasp me;
If I know you, I own you.
MARIE (_entering from the garden with little Peter_)
Peter wants me absolutely to come in. I wanted to wait for Cecilia in
the garden.
AMADEUS
How are you, Marie?
MARIE
I'm not disturbing you, I hope?
GOVERNESS (_comes from the garden with the intention of taking the boy
away_) Peter!
PETER
No, I want to stay with the grown-ups.
AMADEUS
Yes, let him be with us for a while.
GOVERNESS (_returns to the veranda, where she remains visible_)
MARIE
Well, have you been working a lot?
AMADEUS
Oh, we have just been talking.
ALBERT
Do you know why she asks? Because she is in love with Mr. von Rabagas.
AMADEUS
With whom?
ALBERT
Don't you remember him? He's that interesting young chap who appears in
the first act as one of the King's attendants. She used, at least, to
fall in love only with the heroes of my plays, but nowadays she can't
even resist the subordinate characters.
AMADEUS
That should make you proud.
ALBERT
Proud, you say? But at times you can't help regretting that you must
put all the beauties and virtues of the world into the figures you
create, so that you have nothing but your wee bit of talent left to get
along with personally.
CECILIA (_enters from the right_)
PETER
There's mamma!
CECILIA
Good afternoon. (_She shakes hands with everybody_) How are you, Marie?
This is awfully nice. If I had only known.... I went for a short walk.
It's such a wonderful day.--Well, Peter (_kissing him_), have you had
your meal yet?
PETER
Yes.
GOVERNESS (_entering from the veranda_)
Good afternoon, Madame. Peter hasn't had his nap yet.
MARIE
Does he still have to sleep in the daytime? Our two children have quit
entirely.
ALBERT
Instead they play a most exciting game every afternoon--one invented by
themselves. They call it "drums and bugles."
MARIE
You must come and see us soon, Peter, so that you can learn to play
that game.
PETER
I've got a music-box, and I'll take it along so we can make more noise.
CECILIA
Now you have to go. But first you must say good-by nicely.
PETER
Public-domain text, read in full here on John Shaqi.
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