Produced by Anne Soulard, Juliet Sutherland, Charles Franks
and the Online Distributed Proofreading Team
THE LONG CHANCE
By Peter B. Kyne
Illustrated By Frank Tenny Johnson
1914
[Illustration: IT WAS THE DESERT CALL FOR HELP; THREE FIRES IN A ROW BY
NIGHT. THREE COLUMNS OF SMOKE AGAINST THE HORIZON BY DAY.]
Printed At Garden City, N. Y., U. S. A.
THE LONG CHANCE
CHAPTER I
It was sunrise on the Colorado desert.
As the advance guard of dawn emerged from behind the serrated peaks to
the east and paused on their snow-encrusted summits before charging down
the slopes into the open desert to rout the lingering shadows of the
night, a coyote came out of his den in the tumbled _malpais_ at the foot
of the range, pointed his nose skyward and voiced his matutinal salute
to the Hosts of Light.
Presently, far in the distant waste, seven dark objects detached
themselves from the shadows and crawled toward the mountains. Like motes
swimming in a beam of light, they came out of the Land of Nowhere, in
the dim shimmering vistas over west, where the gray line of grease-wood
met the blue of the horizon. Slowly they assumed definite shape; and the
coyote ceased his orisons to speculate upon the ultimate possibility of
breakfast and this motley trio of “desert rats” with their burro train,
who dared invade his desolate waterless kingdom.
For, with the exception of the four burros, the three men who followed
in their wake did, indeed, offer the rare spectacle of variety in this
land of superlative monotony. One of the men wore a peaked Mexican straw
hat, a dirty white cotton undershirt, faded blue denim overalls and
a pair of shoes much too large for him; this latter item indicating a
desire to get the most for his money, after the invariable custom of a
primitive people. He carried a peeled catclaw gad in his right hand, and
with this gad he continually urged to a shuffling half-trot some one of
the four burros. This man was a Cahuilla Indian.
His two companions were white men. The younger of the pair was a man
under thirty years of age, with kind bright eyes and the drawn but
ruddy face of one whose strength seems to have been acquired more
from athletic sports than by hard work. He was tall, broad-shouldered,
slim-waisted, big-hipped and handsome; he stepped along through the
clinging sand with the lithe careless grace of a mountain lion. An old
greasy wide-brimmed gray felt hat, pinched to a “Montana peak,” was
shoved back on his curly black head; his shirt, of light gray wool, had
the sleeves rolled to the elbow, revealing powerful forearms tanned to
the complexion of those of the Indian. He seemed to revel in the airy
freedom of a pair of dirty old white canvas trousers, and despite the
presence of a long-barreled blue gun swinging at his hip he would
have impressed an observer as the embodiment of kindly good nature and
careless indifference to convention, provided his own personal comfort
was assured.
Public-domain text, read in full here on John Shaqi.
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