The dark was falling over the court-room. A lurid ray of the setting
sun gleamed redly on the dust-streaked window panes, and struggled
disconsolately with the melancholy gleam of the oil lamps that an
awkward attendant with creaking foot-leather had laboriously lighted in
their wall-brackets. Their pale radiance gleamed on the painted faces
of dead jurists that looked down from fly-specked canvases on the walls
and was reflected from the mass of moving, living faces that filled the
room, whose eyes gazed alternately at the Judge's vacant seat, and at
the empty railed space that had penned in the restless jury now
considering their verdict in an upper room--to return again and again
to the spot where sat the man over whose dingy case a medley of voices
had declaimed and wrangled throughout that southern spring day.
He sat slouched in his chair, his narrow, faded-blue eyes, strained and
frightened, fixed on the empty jury-box, his uncertain hand lifting
from time to time to give a swift, furtive touch to his collar or a
thrust to his wiry, sand-coloured hair. In the pallid lamp-light the
hard sneer that had curved his lips during the dragging trial had faded
and his face seemed all at once piteous and younger.
To a stranger there would have seemed little in the circumstances to
inspire the popular interest the full room betokened. The accused was
a rough sawyer, known to his fellows of the logging camp as "Paddy the
Brick," with a history of sluggishness and inebriety behind him. The
crime of which he stood charged was the theft of a comrade's earnings,
the story merely one of those sordid dramas of menial life which were
so familiar. The evidence, though purely circumstantial, was, to a
casual eye, sufficiently conclusive.
Yet in the minds of most of those who had filled the dingy court room
during the two days just passed, there had been until the last hour a
general expectation that the man would be cleared. This had been based
upon nothing save the common knowledge that his counsel was Harry
Sevier.
Public-domain text, read in full here on John Shaqi.
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