The latter had never failed to justify the expectations that had
habitually heralded his doings. Young, likable, perfectly equipped and
knowing his southern world, he had returned, after a half dozen years
of foreign schooling, to step into a social niche readily accorded him
by those who had seen little of him since boyhood. His grey eyes and
crisp, dark beard, had been distinguishing marks of forebears whose
lives had been lived in that neighbourhood and who had left their vivid
impress upon the institutions of their time; statesmen, diplomats and
soldiers had been of that line, and he himself, with his characteristic
mannerisms, his unimpeachable grooming, his nice observance of the
social code, had come to be regarded as the perfect pattern of his
type. Left an orphan at an early age, he had inherited a comfortable
property and the income of a city block, and he spent the money
judiciously, if lavishly. His Panhard was the swiftest car in town, as
his offices were the most sumptuous, though ostentatiously simple in
appointment. He had a Japanese valet, and the "at homes" which he
occasionally gave in his bachelor apartment, though they might be
dominated "pink teas" by the envious unbidden, were affairs to which an
_entrée_ was a hallmark. He maintained also a shooting-box on an upper
slope of the Blue Ridge--a comfortable bungalow set in a hundred acres
of wilderness--whither of autumns he and a dozen other choice spirits
were wont to fare for a fortnight's tramping and fishing, sleeping on
pungent hemlock boughs and eating homely food cooked by the single
negro servant who lived there as caretaker. He had a gift for private
theatricals--he was in constant demand of the Amateur Dramatic
Club--and had more than a _dilettante_ appreciation of music and art.
Public-domain text, read in full here on John Shaqi.
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