Women -- History; Women -- Psychology; Women -- Social conditions
It was with no sense of surprise that I found this long-forgotten
experience spread before my eyes on the walls of a tomb built four
thousand years ago into a sandy hill above the Nile, at Assuan. The
man so long dead, who had prepared the tomb for himself, had carefully
ignored the grimness of death. He is portrayed as going about his
affairs surrounded by his family, his friends, and his servants;
grain is being measured before him into his warehouse, while a scribe
by his side registers the amount; the herdsmen lead forth cattle for
his inspection; two of them, enraged bulls, paying no attention to
the sombre implication of tomb decoration, lower their huge heads,
threatening each other as if there were no such thing as death in the
world. Indeed, the builder of the tomb seems to have liked the company
of animals, perhaps because they were so incurious concerning death.
His dogs are around him, he stands erect in a boat from which he spears
fish, and so on from one marvelous relief to another, but all the time
your heart contracts for him, and you know that in the midst of this
elaborately prepared nonchalance he is miserably terrified by the fate
which may be in store for him, and is trying to make himself believe
that he need not leave all this wonted and homely activity; that if his
body is but properly preserved he will be able to enjoy it forever.
Although the Egyptians, in their natural desire to cling to the
familiar during the strange experience of death, portrayed upon the
walls of their tombs many domestic and social habits whose likeness to
our own household life gives us the quick satisfaction with which the
traveller encounters the familiar and wonted in a strange land, such a
momentary thrill is quite unlike the abiding sense of kinship which is
founded upon the unexpected similarity of ideas, and it is the latter
which are encountered in the tombs of the eighteenth century dynasty.
The paintings portray a great hall, at the end of which sits Osiris,
the god who had suffered death on earth, awaiting those who come before
him for judgment. In the center of the hall stands a huge balance
in which the hearts of men are weighed, once more reminiscent of a
childish conception, making clear that as the Egyptians became more
anxious and scrupulous they gradually made the destiny of man dependent
upon morality, and finally directed the souls of men to heaven or hell
according to their merits.
There is a theory that the tremendous results of good and evil,
in the earliest awakening to them, were first placed in the next
world by a primitive people sore perplexed as to the partialities
and injustices of mortal life. This simple view is doubtless the one
the child naturally takes. In Egypt I was so vividly recalled to my
first apprehension of it, that the contention that the very belief in
immortality is but the postulate of the idea of reward and retribution,
seemed to me at the moment a perfectly reasonable one.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account