Autobiographical fiction; England -- Fiction; Marriage -- Fiction; Teachers -- Fiction
But he was becoming illogical. The clod of earth had disturbed him.
Brushing the dirt off his back, he returned to the book. What a curious
affair was the essay on “Gaps”! Solitude, star-crowned, pacing the
fields of England, has a dialogue with Seclusion. He, poor little
man, lives in the choicest scenery—among rocks, forests, emerald
lawns, azure lakes. To keep people out he has built round his domain
a high wall, on which is graven his motto—“Procul este profani.”
But he cannot enjoy himself. His only pleasure is in mocking the
absent Profane. They are in his mind night and day. Their blemishes
and stupidities form the subject of his great poem, “In the Heart of
Nature.” Then Solitude tells him that so it always will be until he
makes a gap in the wall, and permits his seclusion to be the sport of
circumstance. He obeys. The Profane invade him; but for short intervals
they wander elsewhere, and during those intervals the heart of Nature
is revealed to him.
This dialogue had really been suggested to Mr. Failing by a talk with
his brother-in-law. It also touched Ansell. He looked at the man
who had thrown the clod, and was now pacing with obvious youth and
impudence upon the lawn. “Shall I improve my soul at his expense?” he
thought. “I suppose I had better.” In friendly tones he remarked, “Were
you waiting for Mr. Pembroke?”
“No,” said the young man. “Why?”
Ansell, after a moment’s admiration, flung the Essays at him. They hit
him in the back. The next moment he lay on his own back in the lobelia
pie.
“But it hurts!” he gasped, in the tones of a puzzled civilization.
“What you do hurts!” For the young man was nicking him over the shins
with the rim of the book cover. “Little brute—_ee—ow_!”
“Then say Pax!”
Something revolted in Ansell. Why should he say Pax? Freeing his hand,
he caught the little brute under the chin, and was again knocked into
the lobelias by a blow on the mouth.
“Say Pax!” he repeated, pressing the philosopher’s skull into the
mould; and he added, with an anxiety that was somehow not offensive, “I
do advise you. You’d really better.”
Ansell swallowed a little blood. He tried to move, and he could not.
He looked carefully into the young man’s eyes and into the palm of his
right hand, which at present swung unclenched, and he said “Pax!”
“Shake hands!” said the other, helping him up. There was nothing Ansell
loathed so much as the hearty Britisher; but he shook hands, and they
stared at each other awkwardly. With civil murmurs they picked the
little blue flowers off each other’s clothes. Ansell was trying to
remember why they had quarrelled, and the young man was wondering why
he had not guarded his chin properly. In the distance a hymn swung off—
“Fight the good. Fight with. All thy. Might.”
They would be across from the chapel soon.
“Your book, sir?”
“Thank you, sir—yes.”
“Why!” cried the young man—“why, it’s ‘What We Want’! At least the
binding’s exactly the same.”
“It’s called ‘Essays,’” said Ansell.
Public-domain text, read in full here on John Shaqi.
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