Autobiographical fiction; England -- Fiction; Marriage -- Fiction; Teachers -- Fiction
Perhaps she will be the richer in the end. In her agony she learns to
reckon clearly. Fair as the coin may have been, it was not accurate;
and though she knew it not, there were treasures that it could not
buy. The face, however beloved, was mortal, and as liable as the soul
herself to err. We do but shift responsibility by making a standard of
the dead.
There is, indeed, another coinage that bears on it not man’s image
but God’s. It is incorruptible, and the soul may trust it safely;
it will serve her beyond the stars. But it cannot give us friends,
or the embrace of a lover, or the touch of children, for with our
fellow mortals it has no concern. It cannot even give the joys we call
trivial—fine weather, the pleasures of meat and drink, bathing and the
hot sand afterwards, running, dreamless sleep. Have we learnt the true
discipline of a bankruptcy if we turn to such coinage as this? Will it
really profit us so much if we save our souls and lose the whole world?
PART 3 — WILTSHIRE
XXIX
Robert—there is no occasion to mention his surname: he was a young
farmer of some education who tried to coax the aged soil of Wiltshire
scientifically—came to Cadover on business and fell in love with Mrs.
Elliot. She was there on her bridal visit, and he, an obscure nobody,
was received by Mrs. Failing into the house and treated as her social
equal. He was good-looking in a bucolic way, and people sometimes
mistook him for a gentleman until they saw his hands. He discovered
this, and one of the slow, gentle jokes he played on society was to
talk upon some cultured subject with his hands behind his back and
then suddenly reveal them. “Do you go in for boating?” the lady would
ask; and then he explained that those particular weals are made by the
handles of the plough. Upon which she became extremely interested, but
found an early opportunity of talking to some one else.
He played this joke on Mrs. Elliot the first evening, not knowing that
she observed him as he entered the room. He walked heavily, lifting
his feet as if the carpet was furrowed, and he had no evening clothes.
Every one tried to put him at his ease, but she rather suspected that
he was there already, and envied him. They were introduced, and spoke
of Byron, who was still fashionable. Out came his hands—the only rough
hands in the drawing-room, the only hands that had ever worked. She was
filled with some strange approval, and liked him.
Public-domain text, read in full here on John Shaqi.
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