“You should certainly have him paint you, Colonel. This is the best
place in the world for the assembling of works of art; the grime soon
makes old masters of them all. The orchestra trustees meet at three
this afternoon in the board room of the Fine Arts building. Your check
was generous, Colonel; but Wayne will have to work. Don’t forget the
meeting, Wayne. We count on him, Colonel Craighill. By the way, Wayne,
an old friend of ours has turned up here--Paddock of agile legs and
stammering tongue. What profits it, may I ask, for any man to lay up
store of wealth for his children when they’re likely to scorn the
fleshpots for locusts and wild honey? One might expect Paddock to come
here to study the iron business, but bless me! he’s come to save our
souls.”
“Yes; I’ve seen Jimmy.”
“I thought you hadn’t seen him,” remarked Colonel Craighill in surprise.
“Oh, yes; I ran into him the other night by chance,” replied Wayne,
“just after we had been talking about him. He’s the same chap. Our
meeting wasn’t very fortunate--in fact, we didn’t seem to hit it off.”
“He always was modest about himself, you remember,” said Wingfield.
“I wanted to give him a dinner at the Club to interest people in his
missionary schemes, but he wouldn’t have it.”
“He’s doing a noble work, I hear,” said Colonel Craighill. “It’s
unfortunate that he won’t accept help from those among us who know the
local conditions.”
“Well, it’s a relief that philanthropy can enter this town just once
without preluding itself with a lot of bombast and brag,” sighed
Wingfield. “I’m for Paddock; in fact, I have every honourable intention
of placing my soul at his disposal. It’s only decent to patronize new
home industries.”
Colonel Craighill had not known of Wayne’s election to the orchestra
board, and as Wingfield left he said:
“That’s the kind of thing I like our name to be identified with--the
best aims and endeavours of the city. I’m deeply gratified to know that
you are interested in the orchestra. We older men have our hands full.
It’s for your generation to build upon our foundations.”
“They put me on the board, I guess, because I used to play the fiddle!”
“So you did! That was your dear mother’s idea--that you should take
violin lessons. As I remember, you showed considerable aptitude.”
“I believe I rather liked it.”
And Wayne saw himself again in knickerbockers standing at his mother’s
side by the piano, in the half-remembered days of his happy childhood.
He was thrown back upon the mood of four nights before, when he had
stood before his mother’s portrait and felt the call of memory. There
was in his heart a turbulent rebellion against this impeccable father,
who faced him as always, bland, poised, assured. Imaginary wrongs grew
real; slight injuries and injustices, long forgotten, cried fiercely in
their recrudescence for vengeance.
Public-domain text, read in full here on John Shaqi.
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