As Colonel Craighill and his son entered the Club to-day commerce
seemed less insistently dominant. Their names had been on many lips;
and they were at once the centre of attraction. The ticker curled
its tape unnoticed in the basket while the Craighill marriage was
discussed. As the two checked their coats the congratulations began,
and in the lounging room they were immediately the centre of a group of
friends. Wayne, it seemed, was the object of more attention than his
father; the “Colonel,” as nearly everyone called him would of course
beam in his characteristic way; but Wayne, in his own relation to the
matter, was to be viewed in a fresh aspect. There were those among
his intimates who chaffed him about his new stepmother. She would,
they hinted, undoubtedly visit upon him the traditional contumely of
stepmothership. Others re-appraised the Craighill millions with a view
of determining just how much the new wife’s advent would cut into the
expectations of Mrs. Blair and Wayne. Roger Craighill’s first wife,
everyone remembered, had brought him a considerable fortune, and many
were now trying to recall how much of this had reposed in him, and how
much had passed direct to the children.
Dick Wingfield, who crystalized in his own person the Greater City’s
aspirations in art and music, declared as he surveyed the large
dining room and contemplated the two Craighills in their unusual
intimacy, that for the hour Pig Iron had yielded the centre of the
stage to Cupid. Many gentlemen left their tables, napkin in hand, to
congratulate the Colonel; and Wayne, too, submitted his hand to many
grasps, some of them lingeringly sympathetic, others expressive of a
general friendliness and liking. The Colonel was a shrewd one, so many
remarked; it was a real stroke to present himself to the eye of the
Greater City in company with his son on this memorable day. It was
not like Colonel Craighill to make a marriage that would estrange his
children; the outward and visible acceptance by them of the impending
union was indubitably presented in the corner where father and son ate
their luncheon together. When there came a lull in the visits to the
Craighill table Wingfield lounged thither, and drew up his chair for
a chat with Wayne. Not being a hypocrite, Wingfield shook hands with
the Colonel but did not refer to the topic of the hour. He addressed
himself to Wayne on the prospects of the Greater City’s orchestra for
the winter and called his attention to some new pictures at the Art
Institute. He mentioned the presence in America of a great French
portrait painter with whose work Mr. Craighill was familiar.
Public-domain text, read in full here on John Shaqi.
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