The door was a little way open when the missile struck; it buckled in
its grooves and is jammed fast. I can get an arm through. No more. I
switch on antigrav and hang there directing the light round the
compartment. No rents anywhere, just buckling. This compartment is
divided by a partition and the door through that is open. There will
be another door into the nose on the other side.
I bring back my feet ready to kick off on a dive through that doorway.
Behind me, something stirs.
* * * * *
My muscles go into a spasm like the one that causes a falling dream,
my hold tears loose and I go tumbling through the air, rebound from a
wall, twist, and manage to hook one foot in the frame of the door I
was aiming for. I pull myself down and turn off the antigrav; then I
just shake for a bit.
The sound was--
This is stupid, with everything torn to pieces in this ship there is
no wonder if bits shake loose and drop around--
But it was not a metallic noise, it was a kind of soft dragging, very
soft, that ended in a little thump.
Like a--
Like a loose piece of plastic dislodged from its angle of rest and
slithering down, pull yourself together Lizzie Lee.
I look through the door into the other half of this level. Shambles.
Smashed machinery every which way, blocking the door, blocking
everything. No way through at all.
Suddenly I remember the tools. Mr. Yardo loaded the fish-boat with all
it would take. I crawl back and return with a fifteen inch expanding
beam-lever, and overuse it; the jammed trap door does not slide back
in its grooves but flips right out of them, bent double; it flies off
into the dark and clangs its way to rest.
I am halfway through the opening when I hear the sound again. A soft
slithering; a faint defeated thump.
I freeze where I am, and then I hear the sigh; a long, long weary
sound, almost musical.
An air leak somewhere in the hull and wind or waves altering the air
pressure below.
All the same I do not seem able to come any farther through this door.
Light might help; I turn the beam up and play it cautiously around.
This is the last compartment, right in the nose; a sawn-off
cone-shape. No breaks here, though the hull is buckled to my left and
the "floor"--the partition, horizontal when the ship is in the normal
operating position, which holds my trap door--is torn up; some large
heavy object was welded to a thin surface skin which has ripped away
leaving jagged edges and a pattern of girders below.
There is no dust here; it has all been sucked out when the ship was
open to space; nothing to show the beam except the sliding yellow
ellipse where it touches the wall. It glides and turns, spiraling
down, deformed every so often where it crosses a projection or a dent,
till it halts suddenly on a spoked disk, four feet across and standing
nearly eighteen inches out from the wall. The antigrav.
Public-domain text, read in full here on John Shaqi.
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