the other, some of the blood which oozed from the crucified Saviour’s body. The chalice, or sacred cup, was buried by Joseph at the spot where a perpetual spring of water bubbles--the “Blood Spring,” which supplies the Holy Well, scene of many miraculous cures in times past. That the waters are medicinal admits of no doubt; that it issues from the Cup is a matter of faith, especially as the Holy Grail is claimed to be now in safe keeping by more than one far-distant Abbey.[32] As for the second relic, it is said that St. Joseph confided the memorial to his nephew Isaac, who sealed up the blood in two vials and secreted them from the invading Roman pagans. When danger menaced him, he hid the phials in an ancient fig-tree, which he then cast into the sea. Carried by the waves to Gaul, the fig-tree was cast up at the spot which now forms Fécamp harbour; and there a few centuries later it was found with the two phials secure. Fearless Duke Richard of Normandy was so impressed by the discovery that he built an Abbey in which fitly to enshrine the Precious Blood, and Fécamp Abbey bears witness alike to his faith and his devotion. It was upon the story of the Grail that chroniclers seized with avidity after Borron had once shown its capabilities--a story now believed by many to be almost wholly of Celtic origin, the Sancgreal being none other than Fionn’s healing cup. Mr. Nutt, to whose exhaustive work on the subject reference has previously been made, has told us of every form, rudimentary and developed, in which the Grail legend has appeared, and of every explanation advanced as to its meaning. Whether the legend is based upon Christian canonical or uncanonical writings, or whether it is an ancient saga into which a Christian element was imported, whether it was extant in any definite form before the time of Robert de Borron, or whether it was a fabrication of the era to which many monkish fables have been traced, are points which to discuss in detail would require, and have had, volumes devoted to them. Within fifty years (1180-1225) there were eight versions of the story in which the idea of the Grail was elaborated, and we know how the idea has been developed and enriched and idealised until our own time. “The vanished Vase of Heaven that held like Christ’s own Heart an Hin of Blood,” has been a marvellously fecund seed of inspiration to romancist and poet. Percival and Galahad are the highest human conceptions of purity, and their quest is the most exalting and ennobling upon which heroes can set forth. Yet, as we have already seen, the conclusion cannot be resisted that the story had its root in paganism, and that the history of the Grail is nothing but the history of the gradual transformation of old Celtic folk-tales into a poem charged with Christian symbolism and mysticism. “This transformation, at first the inevitable outcome of its pre-Christian development, was hastened later by the perception that it