New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
Hutchins Burley, in one of his most egregious moments, wagered any
amount that Cornelia wasn’t half as big a fool as her story made her out
to be.
It was owing to these and other coarse pleasantries circulating at her
expense that Robert wished he could make Cornelia look the facts in the
face.
What he regretted most of all, however, was that she seemed entirely to
misconstrue the visits of the many men who sauntered in and out of her
rooms. They came with the expectation voiced by Oscar Wilde, that "she
who had sinned once and with loathing, would sin again many times, and
with joy." Clearly, they hoped to profit by the repetition. But this
was a truth to which Cornelia was obstinately blind.
"You, Robert," she said, aggrieved at his silence, "used to be counted
among those who believed."
"And I am still. Good Heavens, Cornelia, why should I, of all people,
doubt your words? Think of my situation. Here am I, alone after
midnight in an apartment with a young and interesting martyr in the
cause of free marriage. And what do we do? We discuss the subject of
sex affinities, with a complete suspension of conventional reserve. Yet
I couldn’t so much as kiss you."
"Oh, couldn’t you?" said Cornelia, in a half mocking, half challenging
voice.
This tremendous talk, all about herself, had completely revitalized her
spirits. She sat forward intent on Robert’s every word, the movement
causing her dress to fall low in front and show all her languid beauty
at its best.
"No!" he said, gazing at her and striving hard to steady himself.
"How do you know?" she murmured, in scarcely audible tones.
"I know," asserted Robert firmly, returning to an almost inhuman
perfection. "If I began to make love to you, I’d be turned out in a
twinkling. But who would believe this? Not a soul. If you were to tell
the facts to our fellow tenementers, they would laugh you to scorn, and
if _I_ were to tell them, they would send me to the Bloomingdale Asylum.
Yet my virtue is quite safe with you, Cornelia."
"You hardly do yourself justice, Cato," she said, biting her lips, and
adjusting the neck of her dress.
"Oh, men are more or less passive agents in these matters. I’m safe with
you because your radicalism, with all its offshoots into free love, free
thought and free religion is only skin deep. You are a fascinating
instance in the flesh of the great modern feminist dilemma: the demand
for independence and respectability coupled with the fatal longing to be
a Cleopatra, ’one of the women of all time.’"
Piqued at his innuendoes, Cornelia was getting ready to launch an acrid
retort, when the door bell rang. It was one of those vicious jangles
with which only a policeman or a pedlar ventures to announce himself.
But the man who roistered into the apartment was Hutchins Burley.
*II*
Public-domain text, read in full here on John Shaqi.
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