The Loves of Krishna in Indian Painting and PoetryArcher, W. G. (William George)
Religion
The Loves of Krishna in Indian Painting and Poetry
Archer, W. G. (William George)
Hindu gods in art; Hindu painting -- India; Krishna (Hindu deity); Sanskrit poetry -- History and criticism
The hot weather now comes. Trees are heavy with blossom, peacocks strut in
the glades and a general lethargy seizes the cowherds. One day Krishna and
his friends are out with the cattle when Pralamba, a demon in human form,
comes to join them. Krishna warns Balarama of the demon's presence and
tells him to await an opportunity to kill him. He then divides the
cowherds into two groups and starts them on the game of guessing fruits
and flowers. Krishna's side loses and as a penalty they have to run a
certain distance carrying Balarama's side on their shoulders. Pralamba
carries Balarama. He runs so fast that he quickly outstrips the others. As
he reaches the forest, he changes size, becoming 'large as a black hill.'
He is about to kill Balarama when Balarama himself rains blows upon him
and kills him instead.[23] While this is happening, the cows get lost,
another forest fire ensues and Krishna has once again to intervene. He
extinguishes the fire, regains the cattle and escorts the cowherds to
their homes.[24] When the others hear what has happened, they are filled
with wonder 'but obtain no clue to the actions of Krishna.'
During all this time, Krishna as 'son' of the wealthiest and most
influential cowherd, Nanda, has been readily accepted by the cowherd
children as their natural leader. His lack of fear, his bravery in coping
with demons, his resourcefulness in extricating the cowherds from awkward
situations, his complete self-confidence and finally his princely bearing
have revealed him as someone altogether above the ordinary. From time to
time he has disclosed his true nature as Vishnu but almost immediately has
exercised his 'illusory' power and prevented the cowherds from remembering
it. He has consequently lived among them as God but their love and
admiration are still for him as a boy. It is at this point that the
_Purana_ now moves to what is perhaps its most significant phase--a
description of Krishna's effects on the cowgirls.
[Footnote 11: Note 7.]
[Footnote 12: Magadha--a region corresponding to present-day South Bihar.]
[Footnote 13: Plate 3.]
[Footnote 14: Note 8.]
[Footnote 15: Note 9.]
[Footnote 16: Plate 4.]
[Footnote 17: Plate 5.]
[Footnote 18: Plate 6. In the _Harivansa_, the cause of the migration is
given as a dangerous influx of wolves.]
[Footnote 19: Note 10.]
[Footnote 20: Plate 7.]
[Footnote 21: Note 7.]
[Footnote 22: Plate 8.]
[Footnote 23: Plate 9.]
[Footnote 24: Plate 10.]
(ii) The Loves of the Cowgirls
Public-domain text, read in full here on John Shaqi.
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