The Loves of Krishna in Indian Painting and PoetryArcher, W. G. (William George)
Religion
The Loves of Krishna in Indian Painting and Poetry
Archer, W. G. (William George)
Hindu gods in art; Hindu painting -- India; Krishna (Hindu deity); Sanskrit poetry -- History and criticism
One day they choose a part of the river where there is a steep bank.
Taking off their clothes they leave them on the grass verge, enter the
water and swim around calling out their love for Krishna. Unknown to them,
Krishna is in the vicinity and is grazing the cows. He steals quietly up,
sees them in the river, makes their clothes into a bundle and then climbs
up with it into a tree. When the cowgirls come out of the water, they
cannot find their clothes until at last one of them spies Krishna sitting
in the tree. The cowgirls hurriedly squat down in the water entreating
Krishna to return their clothes. Krishna, however, tells them to come up
out of the water and ask him one by one. The cowgirls say, 'But this will
make us naked. You are making an end of our friendship.' Krishna says,
'Then you shall not have your clothes back.' The cowgirls answer, 'Why do
you treat us so? It is only for you that we have bathed all these days.'
Krishna answers, 'If that is really so, then do not be bashful or deceive
me. Come and take your clothes.' Finding no alternative, the cowgirls
argue amongst themselves that since Krishna already knows the secrets of
their minds and bodies, there is no point in being ashamed before him,
and they come up out of the water shielding their nakedness with their
hands.[25] Krishna tells them to raise their hands and then he will return
their clothes. The cowgirls do so begging him not to make fun of them and
to give them at least something in return. Krishna now hands the clothes
back giving as excuse for his conduct the following somewhat specious
reason. 'I was only giving you a lesson,' he says. 'The god Varuna lives
in water, so if anyone goes naked into it he loses his character. This was
a secret, but now you know it.' Then he relents. 'I have told you this
because of your love. Go home now but come back in the early autumn and we
will dance together.' Hearing this the cowgirls put on their clothes and
wild with love return to their village.
At this point the cowgirls' love for Krishna is clearly physical. Although
precocious in his handling of the situation, Krishna is still the rich
herdsman's handsome son and it is as this rather than as God that they
regard him. Yet the position is never wholly free from doubt for in loving
Krishna as a youth, it is as if they are from time to time aware of
adoring him as God. No precise identifications are made and yet so strong
are their passions that seemingly only God himself could evoke them. And
although no definite explanation is offered, it is perhaps this same idea
which underlies the following incident.
Public-domain text, read in full here on John Shaqi.
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