Detective and mystery stories; Wise, Pennington (Fictitious character) -- Fiction
Doctor Ely Davenport was, without being pompous, a man who was at all
times conscious of his own personality and sure of his own importance.
He was important, too, being one of the most highly thought of doctors
in New York City, and his self-esteem, if a trifle annoying, was
founded on his real worth.
He often said that his profession brought him in contact with the
souls of men and women quite as much as with their bodies, and he was
fond of theorizing what human nature might do or not do in crucial
moments.
The detection of crime he held to be a matter requiring the highest
intelligence and rarest skill.
“Detection!” he exclaimed, in the course of the present conversation,
“why detection is as hard to work out as the Fourth Dimension! As
difficult to understand as the Einstein theory.”
“Oh, come now, Doctor,” Pollard said, smiling, “that’s going a bit too
far. I admit, though, it requires a superior brain. But any real work
does. However, I say, first catch your motive.”
“That’s it,” broke in Monroe, eagerly. “It all depends on the motive!”
“The crime does,” Davenport assented, drily, “but not the detection.
You youngsters don’t know what you’re talking about—you’d better shut
up.”
“We know a lot,” returned Monroe, unabashed. “Youth is no barrier to
knowledge these days. And I hold that the clever detective seeks first
the motive. You can’t have a murder without a motive, any more than an
omelette without eggs.”
“True, oh, Solomon,” granted the doctor. “But the motive may be known
only to the murderer, and not to be discovered by any effort of the
investigator.”
“Then the murder mystery remains unsolved,” returned Monroe, promptly.
“Your saying so doesn’t make it so, you know,” drawled Phil Barry, in
his impertinent way. “Now, to me it would seem that a nice lot of
circumstantial evidence, and a few good clews would expedite matters
just as well as a knowledge of the villain’s motive.”
“Circumstantial evidence!” scoffed Monroe.
“Sure,” rejoined Barry; “Give me a smoking revolver with initials on
it, a dropped handkerchief, monogrammed, of course, half a broken
cuff-link, and a few fingerprints, and I care not who knows the
motive. And if you can add a piece—no, a fragment of tweed, clutched
in the victim’s rigid hand—why—I’ll not ask for wine!”
“What rubbish you all talk,” said Pollard, smiling superciliously;
“don’t you see these things all count? If you have motive you don’t
need evidence, and _vice versa_. That is, if both motive and
evidence are the real thing.”
“There are only three motives,” Monroe informed. “Love, hate and
money.”
“You’ve got all the jargon by heart, little one,” and Pollard grinned
at him. “Been reading some new Detective Fiction?”
“I’m always doing that,” Monroe stated, “but I hold that a detective
who can’t tell which of those three is the motive, isn’t worth his
salt.”
Public-domain text, read in full here on John Shaqi.
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