Detective and mystery stories; Wise, Pennington (Fictitious character) -- Fiction
“Salt is one commodity that has remained fairly inexpensive,” said
Barry, speaking slowly, and with his eyes on his cigarette, from which
he was carefully amputating the ash, “and a detective who could truly
diagnose motive is not to be sneezed at. Besides, revenge is often a
reason.”
“That comes under the head of hate,” promptly responded Monroe. “The
three motives include all the gamut of human emotion, and some of
their ramifications will include every murder motive that ever
existed.”
“Fear?” quietly suggested Doctor Davenport.
“Part of hate,” said Monroe, but he was challenged by Pollard.
“Not necessarily. A man may fear a person whom he does not hate at
all. But there’s another motive, that doesn’t quite fit your
classification, Monroe.”
Before the inevitable question could be put another man joined the
group.
“Hello, folks,” said Robert Gleason, as he sat down; “hope I don’t
intrude—and all that. What you talking about?”
“Murder,” said Barry. “Murder as a Fine Art, you know.”
“Don’t like the subject. Let’s change it. Talk about the ladies, or
something pleasant, you know. Eh?”
“Or Shakespeare and the musical glasses,” said Pollard.
“No musical glasses, nowadays,” bewailed Gleason. “No more clink the
canakin, clink. It’s drink to me only with thine eyes. Hence, the
preponderance of women and song in our lives, since the third of the
trio is gone.”
Gleason was the sort of Westerner usually described as breezy. He was
on intimate terms with everybody, whether everybody reciprocated or
not. Not a large man, not a young man, he possessed a restless
vitality, a wiry energy that gave him an effect of youth. About forty,
he was nearer the age of Doctor Davenport than the others, who were
all in their earliest thirties.
Nobody liked Gleason much, yet no one really disliked him. He was a
bit forward, a little intrusive, but it was clear to be seen that
those mannerisms were due to ignorance and not to any intent to be
objectionable. He was put up at the Club by a friend, and had never
really overstepped his privileges, though it was observable that his
ways were not club ways.
“Yep, the Ladies—God bless ’em!” he went on. “What could be a better
subject for gentlemen’s discussion? No personalities, of course; that
goes without saying.”
“Then why say it?” murmured Pollard, without looking at the speaker.
“That’s so! Why, indeed?” was the genial response. “Now, you know, out
in Seattle, where I hail from, there’s more—oh, what do you call it,
sociability like, among men. I go into a club there and everybody
sings out something gay; I come in here, and you all shut up like
clams.”
“You objected to the subject we were discussing,” began Monroe,
indignantly, but Barry interrupted, with a wave of his hand, “The
effete East, my dear Gleason. Doubtless you’ve heard that expression?
Yes, you would. Well, it’s our renowned effeteness that prevents our
falling on your neck more effusively.”
Public-domain text, read in full here on John Shaqi.
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