It was Jane who had lured me to the old house on this bleak afternoon
when I should have been sitting over the fire, forgetting my sixty-five
years in a novel of youth. Jane, who in her cheery way describes the
house as "an excellent lodgement, and most antique physiognomy, quite to
our humour; roomy, substantial, commodious, with closets to satisfy any
Bluebeard, ..." and who, in an earlier letter on the same subject, says,
"I have a great liking to the massive old concern with the broad
staircase and abundant accommodation for crockery. But is it not too
near the river? And another idea presents itself along with that
wainscot--if bugs have been in the house! Must they not have found there
as well as the inmates room without end?" I hope, by the way, that the
dear lady's fears were unfounded, but judging from her later letters, I
have my doubts.
How shall I describe to you the effect of that chill, prim room, seen in
the light of the bleak winter afternoon! One thing of living beauty
alone made a link with the present--a great bunch of tawny yellow and
white chrysanthemums which a worshipper had brought to the shrine on
this, the birthday, of the great man. We had chosen an auspicious date
for our visit, and inspired by the coincidence, I sought to animate the
dry bones with life. Over the fireplace hangs a picture in which Jane is
represented sitting by the fire in this very apartment, whilst her
spouse, attired in a plaid dressing-gown, stands with his back against
the mantel. Here is the identical room, the identical tables and chairs,
the horsehair sofa and pictures, but the room no more resembles the
home-like one in the picture than do dried rose leaves placed between
the leaves of a book resemble the scented freshness of freshly plucked
velvety petals. Ah, well! the dead cannot live again in _this_ world,
and those of us who visit ghosts' houses must leave our more material
selves on the doorstep.
Public-domain text, read in full here on John Shaqi.
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