Everywhere are portraits of the sad, brooding face of Thomas Carlyle. Mrs. D. said the late Mr. D. used to look like that "when 'e'd lost a bit on a 'orse," and I was moved to explain that identical results may be obtained by widely different causes. Who would choose to be a genius if he realised that loneliness was the price? Loneliness, with Jane by the fireside! Strange problem! I looked at her portrait in youth, the heart-shaped face with the parted lips and frank eyes, the dark curls and beautiful throat, and as I looked sentences in her letters came to mind. Referring to her choice of a husband, she says, "Indeed, I continue quite content with my bargain; I could wish him a little _less yellow_ and a little more _peaceable_, but that is all." And again, when writing to him, she says, "Try all that ever you can to be patient and good-natured with your povera piccola Gooda, and then she loves you, and is ready to do anything on earth that you wish.... But when the signor della casa has neither kind look nor word for me, what can I do but grow desperate and fret myself to fiddlestrings." Referring to a birthday present from him, she says, "Only think of my husband, too, having given me a little present! He who never attends to such nonsense as birthdays, and who dislikes nothing in the world so much as going into a shop to buy anything.... Well, he actually risked himself in a jeweller's shop and bought me a very nice smelling bottle!" Poor little wife! Poor husband, too, when after her death he has so often to say, "Ah me! too late, too late". Yet they loved each other well, and when Thomas Carlyle wrote on her tombstone, "For forty years she was the true and ever-loving helpmate of her husband," and added that she was "suddenly snatched away from him, and the light of his life as if gone out," no one doubts that the words came from the deepest depths of his heart. In the china closet a glass case contains some pathetic mementoes--a yellowed old lace cap worn by Mrs. Carlyle, a brooch with the portrait of her dog Nero, given by the mistress to "little Charlotte," a sock of Carlyle's with his initials neatly marked in red thread, and two small cardboard boxes, each containing locks of the hair of Thomas Carlyle and his wife. Trivial things, which yet in their haunting intimacy are too sacred, it seems, to be stared at by the curious sightseers. In a corner hangs an etching that deserves a more prominent place, the desolate picture of a funereal _cortège_ wending its slow way against a bleak background of snow and leaden sky.... Thomas Carlyle is being carried to his last rest, and surely the Great Scene Shifter had well chosen the setting. The simple dignity of the procession approaching over the white countryside, the little group of humble folk awaiting its arrival at the gate of the churchyard, the frozen silence of the dead day--what could be more touching or impressive!