The Lyrical Dramas of Aeschylus Translated into English VerseAeschylus
General
The Lyrical Dramas of Aeschylus Translated into English Verse
Aeschylus
Aeschylus -- Translations into English; Mythology, Greek -- Drama
but the "Delicta majorum immeritus lues" of the same poet remains a
fearful reality in the daily administration of the world, which no
serious-thinking man can afford to disregard. In the ancient law of
Moses, as in the most famous systems of Christian theology, this
principle plays a prominent part; and awful as its operation is, often
sweeping whole generations into ruin, and smiting whole nations with a
chronic leprosy, for the folly or extravagance of an ephemeral
individual, we shall not be surprised to find it equally conspicuous in
the literature of so subtle a people as the Greeks. The Hellenic mind,
no doubt, was too sunny and too healthy to allow itself to be encased
and imprisoned with this idea, as with an iron mail; but as a mysterious
dark background of moral existence it was recognised in its highest
power; and nowhere so distinctly, and with such terrible iteration, as
in those lyrical exhibitions of solemn, religious, and legendary faith,
which we call tragedy.
{258}
Among the other serious ethico-religious legends with which the scanty
remains of the rich Greek tragedy have made us more familiar, the dark
fates of two famous families--the Pelopidae and the Labdacidae--force
themselves upon our attention with a marked distinctness. How the evil
genius (ἀλάστωρ) of inherited guilt revealed itself in the
blood-stained track of the descendants of Tantalus we have seen on the
large scale of a complete trilogy; the play to which we now introduce
the reader is an exhibition of the same stern law of moral
concatenation, in one of the scenes of the dark story of the Theban
family of the Labdacidae. Labdacus, the father of this unfortunate
race, is traced back in the legendary genealogy to the famous
Phœnician settler, Cadmus, being removed from him by only one
generation.[f1] This head of the family appears tainted with no moral
guilt of an extraordinary kind; but his son Laius figures in the
legend, not like Pelops in the Pelopidan story, as a murderer, but as
a licentious and a lustful character. Yielding to the violent impulses
of unnatural passion,[f2] he is said to have carried off from Elis,
Chrysippus, the son of Pelops; whereupon the injured father pronounced
against the unholy ravisher the appropriate curse that he should die
childless, or, if he did beget children, that himself should lose his
life by the hands of those to whom he had been the means of giving it.
We see here exemplified that grand principle of retaliation (_lex
talionis_), "_An eye for an eye and a tooth for a tooth_," which
stands out so prominently in the laws of Moses, and is so agreeable to
the moral instincts of the human heart. Laius was to perish by his own
progeny, because, in the irregular gratification of the procreative
instinct, he had sinned against Nature. The curse spoken against him
by Pelops was the wrathful expression of one of Nature's greatest
laws; in whatever way we seek violently to obtain happiness contrary
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