The Lyrical Dramas of Aeschylus Translated into English Verse — John Shaqi
The Lyrical Dramas of Aeschylus Translated into English VerseAeschylus
General
The Lyrical Dramas of Aeschylus Translated into English Verse
Aeschylus
Aeschylus -- Translations into English; Mythology, Greek -- Drama
"Strange, O strange, that mortal men immortal gods will still be
blaming,
Saying that the source of evil lies with us; while they, in sooth,
More than Fate would have infatuate with sharp sorrows pierce
themselves!
Thus even now Ægisthus, working sorrow more than Fate would have,
The Atridan's wife hath wedded, and himself returning slain,
Knowing well the steep destruction that awaits him; for ourselves
Sent the sharp-eyed Argus-slayer, Hermes, to proclaim our will,
That nor him he dare to murder, nor his wedded wife to woo.
Thus spoke Hermes well and wisely; but thy reckless wit, Ægisthus,
Moved he not; full richly therefore now thy folly's fine thou payest."
And the same subject is reverted to in the Third Book (v. 194), where
old Nestor, in Pylos, gives an account to Telemachus, first of his own
safe return, and then of the fate of the other Greeks, so far as he
knew; and, again, in the Fourth Book (v. 535) where Menelaus is informed
of his brother's sad fate (slain "like a bull in a stall") by the old
prophetic Proteus, the sea harlequin of the African coast; and, also, in
the Eleventh Book (v. 405), where Ulysses, in Hades, hears the sad
recital from the injured shade of the royal Atridan himself.
The tragic events by which Agamemnon and his family have acquired such a
celebrity in the epic and dramatic annals of Greece, are but the sequel
and consummation of a series of similar events commencing with the great
ancestor of the family; all which hang together in the chain of popular
tradition by the great moral principle so often enunciated in the course
of these dramas, that sin has always a tendency to propagate its like,
and a root of bitterness once planted in a family, will grow up and
branch out luxuriantly, till, in the fulness of time, it bears those
bloody blossoms, and fruits of perdition that are its natural product.
The guilty ancestor, in the present case, is the {39} well-known
Tantalus, the peculiar style of whose punishment in the infernal regions
has been stereotyped, for the modern memory, in the shape of one of the
most common and most expressive words in the English language. Tantalus,
a son of Jove, a native of Sipylos in Phrygia, and who had been admitted
to the table of the gods, thinking it a small matter to know the divine
counsels, if he did not, at the same time, gratify his vanity by making
a public parade of his knowledge before profane ears, was punished in
the pit of Tartarus by those tortures of ever reborn and never gratified
desire which every schoolboy knows. His son, Pelops, an exile from his
native country, comes with great wealth to Pisa; and having, by
stratagem, won, in a chariot race, Hippodamia, the daughter of
Oernomaus, king of that place, himself succeeded to the kingdom, and
became so famous, according to the legend, as to lend a new name to the
southern peninsula of Greece which was the theatre of his
exploits.[f3] In his career also, however, the traces of blood
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