Mythology, Celtic -- Wales; Tales -- Wales; Welsh literature -- 1100-1400 -- Translations into English
THE MABINOGION
TRANSLATED BY LADY CHARLOTTE GUEST
CONTENTS
Introduction
The Lady of the Fountain
Peredur the Son of Evrawc
Geraint the son of Erbin
Kilhwch and Olwen
The dream of Rhonabwy
Pwyll Prince of Dyved
Branwen the daughter of Llyr
Manawyddan the son of Llyr
Math the son of Mathonwy
The dream of Maxen Wledig
The story of Lludd and Llevelys
Taliesin
INTRODUCTION
Whilst engaged on the Translations contained in these volumes, and on the
Notes appended to the various Tales, I have found myself led unavoidably
into a much more extensive course of reading than I had originally
contemplated, and one which in great measure bears directly upon the
earlier Mediæval Romance.
Before commencing these labours, I was aware, generally, that there
existed a connexion between the Welsh Mabinogion and the Romance of the
Continent; but as I advanced, I became better acquainted with the
closeness and extent of that connexion, its history, and the proofs by
which it is supported.
At the same time, indeed, I became aware, and still strongly feel, that
it is one thing to collect facts, and quite another to classify and draw
from them their legitimate conclusions; and though I am loth that what
has been collected with some pains, should be entirely thrown away, it is
unwillingly, and with diffidence, that I trespass beyond the acknowledged
province of a translator.
In the twelfth and thirteenth centuries there arose into general
notoriety in Europe, a body of “Romance,” which in various forms retained
its popularity till the Reformation. In it the plot, the incidents, the
characters, were almost wholly those of Chivalry, that bond which united
the warriors of France, Spain, and Italy, with those of pure Teutonic
descent, and embraced more or less firmly all the nations of Europe,
excepting only the Slavonic races, not yet risen to power, and the Celts,
who had fallen from it. It is not difficult to account for this latter
omission. The Celts, driven from the plains into the mountains and
islands, preserved their liberty, and hated their oppressors with fierce,
and not causeless, hatred. A proud and free people, isolated both in
country and language, were not likely to adopt customs which implied
brotherhood with their foes.
Such being the case, it is remarkable that when the chief romances are
examined, the name of many of the heroes and their scenes of action are
found to be Celtic, and those of persons and places famous in the
traditions of Wales and Brittany. Of this the romances of Ywaine and
Gawaine, Sir Perceval de Galles, Eric and Enide, Mort d’Arthur, Sir
Lancelot, Sir Tristan, the Graal, &c., may be cited as examples. In some
cases a tendency to triads, and other matters of internal evidence, point
in the same direction.
Public-domain text, read in full here on John Shaqi.
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