Tavernier writes of a great topaz in the possession of the Grand Mogul
weighing 157 carats and worth about 100,000 dollars. Runyeet Singh’s
topaz, half the size of a billiard ball, was worth 200,000 rupees. The
Great Braganza, 1680 carats, which adorned the crown of Portugal and was
supposed to be a diamond, is a white topaz. One of the pleasures of the
giant Emperor Maximilian, of whose strength so many stories are told,
was to crush topazes to powder in his fingers. Why he indulged in this
form of sport is unknown; probably he found it recreation after killing
an ox at a blow or knocking out the teeth of an unfortunate horse. Mr.
King mentions a Head of Mæcenas on topaz attributed to Solon at
Florence, and another—wrongly attributed to Dioscorides—of a girl’s head
in the Marlborough collection. The Topaz was called “Stone of Strength”
by Pliny for the martial Scorpio is the wrestler’s sign and the sign of
strong people. The power of the topaz was said to increase as the moon
increased, especially if the night orb was at new or full in the sign
Scorpio. It banished the terrors of the night, protected the wearer
during epidemics, soothed the wild passions and gave a glimpse of the
beyond. It banished the fear of death and secured a painless passing
from this life to the next; it gave strength to the intellect and
enabled the wearer to receive impressions from astral sources. It
preserved from miasmatic conditions and lost its colour when in the
presence of poisons. The power attributed to it of quenching boiling
water is symbolic of the fiery Mars, planet of power in the watery
Scorpio. It was also said by the old masters that the topaz preserved
against drowning, and a curious illustration of this belief came
recently under the writer’s notice. He advised the wife of a well-known
Australian to purchase a very beautiful topaz, which was mounted under
his direction as a charm of the sign Scorpio. During the late war this
lady and her daughter had need to travel to England. The voyage was
about half accomplished when the vessel was submarined. The boat in
which the lady and her daughter were, capsized and all the struggling
passengers were thrown into the sea. She seized a piece of wreckage and
supported her daughter and herself until they were both dragged into a
boat some considerable time after. The lady had clutched the topaz charm
from her neck and was holding it tightly in her hand while struggling in
the water. Just as they got into the boat she felt someone give a heavy
blow on her hand and take the gem from her. She grieved for the loss of
her beautiful topaz charm which she regarded as the symbol of her own
and her daughter’s salvation.
Public-domain text, read in full here on John Shaqi.
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