The Rev. C. W. King mentions that agates are still found “adorned with
designs which one feels the greatest difficulty in admitting to be the
mere fortuitous result of the arrangement of their shaded strata, so
exactly does that result imitate the finished production of art.” He
instances the “Egyptian Pebble” in the British Museum which shows the
head of the poet Chaucer covered with the hood, a faithful portrait even
more remarkable when it is considered that the specimen was just broken
in two pieces and not even polished. A specimen in the Galleria of
Florence shows in the markings of yellow and red a running Cupid. Such
curious markings are continually exhibiting the silent, magical symbols
of Nature by the aid of which the great but humble philosophers of
ancient days read the messages of the Divine. Many and various are the
virtues ascribed to the agate by the ancient masters, and when
considering these it is well to remember their passion for making
meanings obscure in order that the hidden secrets might be successfully
guarded. The “pleasant scent of the agate”—obtainable most truly by
rubbing together two polished specimens—is lauded by Pliny, and Orpheus
recommends that the “changeful agate” be steeped in wine to improve the
flavour. Powdered and bound on wounds, it healed them, and Rabbi Benoni
of 14th century fame advised that an agate be held in the mouth to
quench thirst and soothe fever. It was regarded as a charm against
poisons, which no doubt accounts for its being used to form vases,
bowls, cups, and vessels for holding foodstuffs, specimens of which are
still found in more or less perfect state in the excavations. Mr. King
mentions the Carchesium or two-handled agate cup of Charles the Bold
(presented by that King to the Abbey of St. Denis) which was used to
hold the wine at the ceremony associated with the coronations of the
kings of France. It was stolen in 1804, the year Napoleon Buonaparte was
crowned Emperor at Paris, and was not used, therefore, at his
coronation—a significant circumstance in the career of this man of
Destiny who, with his innate love for the occult must have known long
before this event that the agate was his birthstone. Shortly after the
vase was recovered uninjured, but its jewelled setting had been removed
from it, never to be seen again.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account