The Magic of SpainBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
The Magic of Spain
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Spain -- Description and travel; Spanish literature -- History and criticism
Yet even to-day few foreigners realize that they may cross and recross
the Peninsula from north to south and from east to west in perfect
security. They will meet with no cloak-and-sword episodes; their
adventures must be of another order. It is true that the Spaniard can
use his knife, but the knife comes into play in quarrels of cards and
love and jealousy, in which the passing traveller can have no part.
Those, however, who measure culture by comfort, and wish to journey as
consistent first-class passengers through life, should certainly narrow
their Spanish travels to the round of a few cities--
“Erret et extremos scrutetur alter Iberos,”
and, however rapid and conventional, a journey that includes the
Alhambra, the Mosque of Córdoba, the Cathedrals of Seville, Toledo, and
Burgos,[46] and the picture-galleries of Seville and Madrid, can
scarcely be said to have been in vain. But to know Spain and the
Spaniards it is necessary to go further afield, to the small towns and
villages of Andalucía and Castille, for here, rather than in the larger
towns, is to be found the true spirit of the race. Some five thousand
villages are still to be reached only by bridle-paths, and in these
there has been little change since Cervantes went his rounds collecting
taxes; so that for those who care to leave the beaten track there still
remain many unexplored districts, and much first-hand knowledge to glean
of the country and its inhabitants. To many, no doubt, Spain is the
country of dance and song and sun-burnt mirth, of the flutter of fans
and the flash of dark eyes; the country of the bull-fight and the white
mantilla and carnations in the hair; of Roman ruins and Moorish palaces
set in groves of myrtle and orange; of--
“Cloaked shapes, the twanging of guitars,
A rush of feet and rapiers clashing,
Then silence deep with breathless stars,
And overhead a white hand flashing.”
and if any shadows fall across the picture they are those of the
brigand and the priest-inquisitor. Then comes the inevitable reaction.
Those who visit Spain find that it is for them indeed _un pays de
l’imprévu_. The former image in their mind soon perishes, and they cry
out upon this “ciel insalubre,” this--
“pays endiablé;
Nous y mangions, au lieu de farine de blé,
Des rats et des souris et pour toutes ribotes
Nous avons dévoré beaucoup de vieilles bottes.”
But, to judge from many books published about Spain, most European
countries would seem to have entered into a league to look upon the
Peninsula solely as a land of a poetical unreality, its inhabitants
divided into inquisitors, monks, brigands, and conspirators, lending--
“the colour of romance
To every trivial circumstance.”
Public-domain text, read in full here on John Shaqi.
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