The Magic of SpainBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
The Magic of Spain
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Spain -- Description and travel; Spanish literature -- History and criticism
A well-balanced and accurate account of the country is singularly rare.
It is true that in some respects Spain has changed little since the
sixteenth century, but, on the other hand, during the twentieth century,
while she has been making laborious progress, foreign ideas of Spain
have remained stationary, with the prejudices and fixed opinions of
fifty years ago. No error or exaggeration concerning Spain is too
ridiculous to be affirmed and readily believed, and those who take no
thought to study the Peninsula in quiet days save as a land of vague
romance, when trouble occurs are officious with wise criticisms and
stern common-sense, based on ignorance. Quite recently the hysterical
visions of prisoners tortured in Spanish dungeons, and of priestly
cruelty and greed, might persuade one that Mr. Kipling’s “Little Foxes”
was written not before, but after, the events of 1909 in Spain. One
forgets that it is of Ethiopia, not Spain, that Mr. Lethabie Groombride,
M.P., exclaims, “What callous oppression! The dark places of the earth
are full of cruelty!” Like the natives of Ethiopia, the courteous
Spaniards are “much pleased at your condescensions;” but they too have a
sense of humour, and note with amusement the ignorance of nations which
declare that Spain’s chief need is more education and culture.
For the traveller who wishes to explore the remote parts of Spain, and
to escape from Spanish trains, the simplest method is to proceed on
horseback. Walking and bicycling and motoring are possible in the North,
and especially in the Basque Provinces, where the inns are good and the
roads excellent. But in most parts of Spain they are practically
impossible; the roads are too stony or too dusty even for walking, and,
moreover, in fifty kilometres you may find hardly one inn. There remains
the _diligencia_--_coche_, _tartana_, _diabla_, call it what you
will--but a single experience of it will probably be sufficient. It
rolls and lurches heavily to the loud, continuous shouting of the driver
to his horses: _Caballo-allo-allo-allo_, _Mula-ula-ula-ula_. The
traveller, if he has the misfortune to be in the interior, is beaten
against the wooden sides, the windows rattle, the bells jingle, the
vehicle sways slowly on its way, groaning and complaining of the
breadth, as well as the length, of the road[47]--_nosotros tambien
llegaremos, si Dios quiere_, as a driver said when passed by more rapid
travellers, “if it is the will of Heaven.” Occasionally at a country
railway station may be seen a boy who is a pillar of dust or mud. He is
the _zagal_ of the _diligencia_, who runs by its side through dirt and
mire, urging on the horses, or stands to rest on the step at the back.
Sometimes the _diligencia_ descends into river-beds, usually dry; and
after much rain it is apt to stay there, and darkness falls and the
frogs croak mockingly, while more mules are fetched to help in the work
of extrication. Often it proceeds by night, throwing strange, fantastic
Public-domain text, read in full here on John Shaqi.
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