The Bidasoa, in the last part of its course, divides Spain from France. It further divides Basque from Basque. It has thus a local and an historic interest. It is the scene of smuggling between French and Spanish Basques and, as a frontier river, it has seen many a quaint and solemn episode in the past--the passage of Wellington’s troops, for instance, in 1813, or the exchange in boats of Francis I. against two hostages (his sons) in 1526, the King showing an eager haste to win across the river and reach the friendly inhabitants of St. Jean de Luz[51] and the sheltering walls of Bayonne. But it is the passing beauty of the whole Bidasoa valley that attracts the visitor, the loveliness of the river and the hills and the villages by the river. The Bidasoa is beautiful during its whole course from where it rises near the village of Maya, a little mountain stream running swiftly through woods of oak and chestnut. At times the hills break abruptly down, the water lies deep and dark-green beneath, and there is a look of Ullswater about both hills and river. A little above Endarlaza the road leaves the river, and from here may be had a glimpse of the Bidasoa of unrivalled beauty. For it runs in a long, irregular stretch, irregular for the rough backbones of hill covered with boulders and bushes of box. At each hill-ridge one might expect the river to bend and vanish, but still it appears beyond. Nearer the village of Vera it contracts to a narrower flow, and the water lashes over rocks, magnificently white and green. The river is known to fishermen as well as to smugglers and Carlists and lovers of Nature. Certainly the wisest travellers, before passing on to the bleak uplands of Castille, will stay to explore this little strip of green country, with its fresh woods and valleys and villages full of state and ancientry. Vera, in a sunny hollow, has an especial fascination. The vine-covered balconies and projecting roofs keep the houses in shade, and on two sides is the rustle and flow of water. The houses stand on different levels, several storeys of them mounting roof above roof from the river to the church. They are curious in their sculptured stone, their quaint carved buttresses, their nail-studded doors or rounded arches leading to the outer court, their crazy wooden balconies, their coats-of-arms, their inscriptions. At the very entrance of the Bidasoa stands Fuenterrabía, beneath gently sloping Jaizquibel. It is a little town of marvellous, narrow streets, steep and crooked, and overjutting houses carved in wood and stone. In front is a little bay, black with fishing-boats, and seen from across the water, Fuenterrabía’s clustered group of houses, yellow and brown and grey, crowned by the ancient church and tenth-century castle, is of a rare and enchanting beauty. Not only a narrow strip of river, but several centuries separate it from Hendaye opposite, with its shore on the