The Magic of SpainBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
The Magic of Spain
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Spain -- Description and travel; Spanish literature -- History and criticism
On the right the summit of the great Atchuria[62] was just lighted by
the rising sun, and fifty thousand men rushing down its enormous slopes
with ringing shouts seemed to chase the receding shadows into the deep
valley.” The description of the passage of the Bidasoa in October, 1813,
is equally graphic: “From San Marcial seven columns could now be seen at
once, moving on a line of five miles, those above bridge plunging at
once into the fiery contest, those below appearing in the distance like
huge, sullen snakes winding over the heavy sands.” The mountainous
character of the frontier, causing Spain to be entered by one or two
narrow passages, has indeed concentrated upon a few points a picturesque
variety of traffic through the centuries--a historical pageant of
soldiers, pilgrims, smugglers, Kings and Queens dethroned or released
from imprisonment, wily agents, gorgeous ambassadors, fugitive
politicians, exiled Jesuits, heretic missionaries, Carlist conspirators,
with a large sprinkling of visitors and adventurers from many lands.
IV
ESKUAL-ERRIA
I.--BASQUE COUNTRY
There are few peoples more deserving of study than the Basques, and few
countries more pleasant to visit and to live in than the Basque
Provinces. After the treeless, unsheltered mountains and plains, and the
compact villages of Castille or Navarre, the villages of the Basque
country, set in green, and, to quote the phrase of a Spanish novelist,
“all in the peace of prayer,” are a delightful contrast. The sky has no
longer the harsh intensity of the Castilian, and everywhere is a
softness of outlines; everywhere, too, is green--the green of chestnut
and oak, of maize and trefoil, meadow and cider-orchard. The maize is
the principal crop of the year, providing the heavy, yellow bread,
_artoa_, as well as food for the oxen and material for mats, mattresses,
and even cigarette-papers. The fields are divided by slabs of stone, and
in the mists of the early mornings the Angelus rings from hidden towers;
and the only other sound is that of scythes cutting the drenched grass
or trefoil. Every true Basque is of noble, ancient family, and the
Basque farmhouse, with its wooden façade and carved projecting
buttresses, its wide balcony and deep ornamented eaves, is handed down
from father to son without change. It stands surrounded by orchards and
fields of maize, and often overshadowed by an immense fig-tree or a
group of splendid walnut-trees. The roof slopes down on one side till it
nearly reaches the ground. The lower part of the front is hollowed into
a court, and on one side of this a door leads straight into the spacious
kitchen, with its huge fireplace and many vessels of scoured bronze and
copper, which forms the principal room of the house. A dark, narrow
staircase leads to the bedrooms; through the cracks of the floors may
often be seen the oxen in their stalls beneath. Large chests of oak,
some of them beautifully carved, are to be found in most Basque farms.
Public-domain text, read in full here on John Shaqi.
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