The Magic of SpainBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
The Magic of Spain
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Spain -- Description and travel; Spanish literature -- History and criticism
precipitous hill of grey rock, crowned by the ruinous walls of a great
castle. The houses clamber roof over roof, in ragged disarray up the
rock. They are of yellowish-brown stone with rough cement, and mostly
innocent of glass, but have a touch of whitewash in front, so that they
wear shining morning faces to the rising sun. In the mistless radiant
mornings the village stands out clearly, its sharp rock rising sheer
from the plain. The sea beyond is silver, and on the other side every
wrinkle in the rocks of the grey mountains is distinctly visible. There
is no sound but the occasional voices of children, the clink and clang
of a forge-hammer, the crowing of a cock, or a faint crystal crash of
waves breaking; but from time to time there is a dry rumour of wheels,
and the cry of a man to his mule as he passes down the road in his cart.
Wrapped in their plaids against the keen morning air, the peasants pass
leisurely in carts and on mules to work in the fields until the evening.
At dusk the slow procession returns, with many a greeting and _bona nit_
and smiles of sunburnt wrinkled faces. Thin lines of blue smoke go up
from swiftly flaring fires of vine twigs and rosemary and dry plants
gathered from the hills, and an hour or two hours later Oropesa is
given over to sleep and the silence of the stars, broken only by the
deep rhythmic cry of the _sereno_ calling the hours. To the south a road
goes up through grey rocky hills with thyme and dwarf-palms and cistus.
The bare smooth rocks have a metallic ring, and there is no sign of life
save for a herd of goats far above, the goat-herd with his plaid and
wide felt hat clearly outlined on the sky, and the sound of his flute
distinct in the solitude of the hills, utterly silent save for the
silver tinkling of goat-bells. No water can remain on these rocky hills,
it pours immediately away to the plains beyond, where, by a stream bed
barely a yard wide, a pillar tells of those who perished there in 1850,
in “the _diligencia_ carried away by the waters of the torrent.” Though
Oropesa now has a railway station, the _diligencias_ still ply between
it and Castellón and Torreblanca, and it might be fifty miles from any
railway, so primitive and self-centred is its life. Occasionally comes a
sunless morning with a quiet grey sky, rare on the east coast of Spain
except in the days of early spring. The sea lies motionless and grey,
with pale reflections of light in coils and patches of gold. So still is
the air that the quiet piping of birds among the olives falls like a
stone in hushed waters. As the day advances the mountains, which earlier
were mingled and lost in the grey of the sky, grow more distinct, till
towards sunset every line and crevice in their sharp ranges becomes
marked, and the overhanging mist of cloud melts away into the grey of
evening, sprinkled with the gold-dust of the stars.
XI
OFF THE EAST COAST OF SPAIN
Public-domain text, read in full here on John Shaqi.
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