The Magic of SpainBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
The Magic of Spain
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Spain -- Description and travel; Spanish literature -- History and criticism
blue or black coats, red sashes, trousers of velvet or velvet corduroy
of many shades, from bright yellow to dark brown, the long shining
yellow punt poles, and the white pyramids of salt on the sea of
sapphire, combine to form a strange and beautiful sight. The empty
barges return high in the water, with little mounds of salt left along
their ledges. At midday the houses seem to faint and grow indistinct,
the mountains fade to a hardly perceptible outline, only the salt
reflects the sun in every facet of its countless grains, and glitters
whiter than snow. In the sunset the lines resume their sharpness, and
the mountains are grey or blue-grey or intense leaden blue or purple,
according to their distances. The Murcian sky is famous for its clear
serenity, and the sunsets and sunrises are of surpassing fairness.
Alicante, too, which is nearer to Murcia than to Valencia, has a
wonderful sky and a wonderful sea, and here, too, the “sunrise is a
glorious birth.” “Alicante aux clochers mêle les minarets,” says Victor
Hugo in one of the poems of “Les Orientales,” and from the sea Alicante
has an Oriental look, with its lines of palms, stories of flat roofs,
and bare background of hills and mountains. But it is at evening that
Alicante is one of the most beautiful cities in the world. The lights
shine softly through the four lines of palm-trees along the Paseo de los
Mártires, and are reflected across the water; in the harbour the last
radiance of evening sets the tracery of masts and cranes and rigging in
clear relief. To the west the sea is already dark, almost wine-coloured,
the οἲνψ of the Greeks, but in the east it is a most
exquisite blue, a blue that seems to be a transparent surface of
turquoise covering a layer of white chalk. The eastern horizon is
faintly purple, and against it the sails of a fleet of fishing-boats are
whiter than at any other time, and gleam long after the sun has set.
Later the sea catches for an instant the faint purple of the sky, the
sky loses its colour, and finally a mistiness of softest grey merges
them together, so that one may no longer distinguish where the sky
ceases or the sea begins. On the rocks of the coast the waves at night
break, filled with phosphorus, in a luminous spray, “like light
dissolved in star showers thrown.” The low line of pale lights along El
Grao, Valencia’s harbour, if approached at night, has a look, from some
distance at sea, of such a phosphorus wave. By day the harbour is seen
to be a forest of masts, and far away the towers of Valencia, round the
tall Miguelete, appear as numerous, and in the distance almost as
slender as the masts of the harbour: “les clochers de ses trois cents
églises.” Along the coast of the Huerta, especially to the south of
Valencia, glisten a number of snow-white pyramids, that seem at first to
be more salt, having the exact look of the mounds that lie along the bay
of Cadiz. They are the whitewashed, triangular fronts of the peasants’
Public-domain text, read in full here on John Shaqi.
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