The Magic of the Horse-shoe, with other folk-lore notes — John Shaqi
The Magic of the Horse-shoe, with other folk-lore notesLawrence, Robert Means
History
The Magic of the Horse-shoe, with other folk-lore notes
Lawrence, Robert Means
Folklore
The following mediæval legend serves to show that memories of the old
pagan traditions lingered in the minds of the Scandinavians until long
after the establishment among them of Christianity. One evening in the
year 1208, a horseman rode up to the house of a blacksmith named Thord
Vettir, who lived in southern Norway at Nesjar, near the town of Laurvig
on the Skager-Rack, and asked for lodging overnight and shoeing for
his horse. The smith assented, and early the next morning began the
work, chatting meanwhile with his guest. “Where were you last night?”
he inquired of the latter. “In Medaldal,” was the reply. “And where
were you the night before?” asked the smith. “In Jardal,” answered the
stranger. “You must be a tremendous liar,” said the smith, with great
frankness. Then he applied himself to his task in earnest, and forged the
biggest horse-shoes which he had ever seen, but which were found to fit
the horse’s feet perfectly. In the course of further conversation the
traveler remarked that he had long dwelt in the north of Norway and was
on his way to Sweden. When he was ready to continue journeying and had
mounted his steed, the smith inquired his name. “Have you ever heard of
Odin?” was the rejoinder. “I have heard his name,” said the smith. “Then
you may see him now,” remarked the horseman, “and, if you do not believe
what I have told you, look how I leap my horse over the fence.” Thereupon
he spurred the animal and rode straight at the court-yard fence, which
was seven ells high. The gallant steed cleared the fence with ease, and
neither he nor his rider were seen again by the worthy blacksmith.[98]
The dignity and importance of the blacksmith’s art in early mediæval
times in England is illustrated by the following tale from Paul
Sébillot’s “Légendes et Curiosités des Métiers,” art. “Forgerons:”—
King Alfred the Great, who reigned in the latter part of the ninth
century, on one occasion assembled together seven of his principal
mechanics and craftsmen, and announced that he would appoint as their
chief that one who could longest dispense with the assistance of the
others; and he also invited them all to a banquet, on condition that each
should bring with him a specimen of his handiwork and the tools wherewith
it was made. At the appointed time they all appeared: the blacksmith
brought his hammer and a horse-shoe; the tailor his scissors and a newly
made garment; the baker his long-handled wooden bread-shovel and a loaf
of bread; the shoemaker his awl and a pair of new shoes; the carpenter
his saw and a squared plank; the butcher his chopping-knife and a large
piece of meat; and the mason his trowel and a corner-stone. After careful
deliberation the company decided that the tailor’s work was the best, and
he was accordingly chosen to be chief of the artisans.
The blacksmith was vexed at the choice, and vowed he would work no more,
so long as the tailor was chief; he therefore closed his shop and took
his departure.
Public-domain text, read in full here on John Shaqi.
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