The Magic of the Horse-shoe, with other folk-lore notesLawrence, Robert Means
History
The Magic of the Horse-shoe, with other folk-lore notes
Lawrence, Robert Means
Folklore
The fire-worshiping Parsees also keep a fire continuously in the lying-in
room; and when a child is ailing from any cause, they fasten to its left
arm a magical charm of written words prepared by a priest, exorcising the
evil spirits in the name of their chief deity, Ormuzd, and “binding them
by the power and beauty of fire.”[121]
On the birth of a child among the Khoikhoi of south Africa a household
fire is kindled, which is maintained until the healing of the child’s
navel; and when a member of the tribe goes a-hunting, his wife is careful
to keep a fire burning indoors; for, if it were allowed to go out, the
husband would have no luck.[122]
The conception of a mediæval smith as a master and controller of fire
was embodied in a group of figures modeled by the Austrian sculptor,
Karl Bitter, and placed at the southern entrance of the Administration
Building at the World’s Fair, Chicago, in 1893. This group, which was
called “Fire Controlled,” consisted of a female figure, whose uplifted
right hand carried a torch, while at her feet stood a brawny smith
resting a sledge hammer upon the prostrate form of a fire demon.
Above this group stood a single figure, by the same artist, representing
a blacksmith standing at his anvil, with hammer resting against it, and
in his belt hung a pair of pincers. In his left hand was a horse-shoe,
which he was examining.[123]
IX. THE SERPENTINE SHAPE OF THE HORSE-SHOE
The theory has been advanced that in ancient idolatrous times the
horse-shoe in its primitive form was a symbol in serpent-worship, and
that its superstitious use as a charm may have thus originated. This
seems plausible enough, inasmuch as there is a resemblance between the
horse-shoe and the arched body of the snake, when the latter is so
convoluted that its head and tail correspond to the horse-shoe prongs.
Both snakes and horse-shoes were anciently engraved on stones and medals,
presumably as amuletic symbols;[124] and in front of a church in Crendi,
a town in the southern part of the island of Malta, there is to be seen a
statue having at its feet a protective symbol in the shape of a half moon
encircled by a snake.
Public-domain text, read in full here on John Shaqi.
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