The Magistrate: A Farce in Three ActsPinero, Arthur Wing
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The Magistrate: A Farce in Three Acts
Pinero, Arthur Wing
Comedy plays; English drama -- 19th century
_The first scene is the Magistrate's room at Mulberry Street Police
Court, with a doorway covered by curtains, leading directly into the
Court, and a door opening into a passage. It is the morning after the
events of the last Act._
_POLICE SERGEANT LUGG, a middle-aged man with a slight country
dialect, enters with "The Times" newspaper, and proceeds to cut it and
glance at its contents, while he hums a song._
_MR. WORMINGTON, an elderly, trim and precise man, enters._
MR. WORMINGTON.
Good morning, Lugg.
LUGG.
Morning, Mr. Wormington.
MR. WORMINGTON.
Mr. Posket not arrived yet?
LUGG.
Not yet, sir. Hullo! [_Reading._] "Raid on a West End Hotel.--At an
early hour this morning----"
MR. WORMINGTON.
Yes, I've read that--a case of assault upon the police.
LUGG.
Why, these must be the folks who've been so precious rampageous all
night.
MR. WORMINGTON.
Very likely.
LUGG.
Yes, sir, protestin' and protestin' till they protested everybody's
sleep away. Nice-looking women, too, though, as I tell Mrs. Lugg,
now-a-days there's no telling who's the lady and who isn't. Who's got
this job, sir?
MR. WORMINGTON.
Inspector Messiter.
LUGG.
Messiter! That's luck! Why he's the worst elocutionist in the force,
sir.[*] [_As he arranges the newspaper upon the table, he catches
sight of MR. WORMINGTON'S necktie, which is bright red._] Well,
I--excuse me, Mr. Wormington, but all the years I've had the honour of
knowin' you, sir, I've never seen you wear a necktie with, so to
speak, a dash of colour in it.
----------
[*] A City magistrate, censuring a constable for the indistinctness of
his utterances in the witness box, suggested that the police should be
instructed in a method of delivering evidence articulately.
----------
MR. WORMINGTON.
Well, Lugg, no, that's true, but to-day is an exceptional occasion
with me. It is, in fact, the twenty-fifth anniversary of my marriage,
and I thought it due to Mrs. Wormington to vary, in some slight
degree, the sombreness of my attire. I confess I am a little uneasy in
case Mr. Posket should consider it at all disrespectful to the Court.
LUGG.
Not he, sir.
MR. WORMINGTON.
I don't know. Mr. Posket is punctiliousness itself in dress, and his
cravat's invariably black. However, it is not every man who has a
silver wedding-day.
LUGG.
It's not every one as wants one, sir.
[_MR. WORMINGTON goes out; at the same moment MR. POSKET enters
quickly, and leans on his chair as if exhausted. His appearance is
extremely wretched; he is still in evening dress, but his clothes are
muddy, and his linen soiled and crumpled, while across the bridge of
his nose he has a small strip of black plaster._
MR. POSKET.
[_Faintly._] Good morning, Lugg.
LUGG.
Good morning to you, sir. Regretting the liberty I'm taking, sir--I've
seen you look more strong and hearty.
MR. POSKET.
I am fairly well, thank you, Lugg. My night was rather--rather
disturbed. Lugg!
LUGG.
Sir?
MR. POSKET.
Public-domain text, read in full here on John Shaqi.
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