The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose: Vana Parva, Part 1
Religion
The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose: Vana Parva, Part 1
Epic literature, Sanskrit
having bathed in that _tirtha_, obtaineth the merit that one earneth by
properly celebrating a thousand horse-sacrifices. Whatever sins a man or
woman committeth, are, without doubt, all destroyed as soon as one
batheth in that _tirtha_. Bathing there one also ascendeth to the abode
of Brahma on the lotus-coloured car. Bathing next in _Koti-tirtha_,
after having worshipped the Yaksha doorkeeper, Machakruka, one obtaineth
the merit of giving away gold in abundance. Near to this, O best of the
Bharatas, is a _tirtha_ called _Ganga-hrada_. One should bathe there, O
virtuous one, with subdued soul and leading a Brahmacharya mode of life.
By this, one obtaineth merit that is greater than that of a Rajasuya and
horse-sacrifices. The _tirtha_ called _Naimisha_ is productive of good
on earth. _Pushkara_ is productive of good in the regions of the
firmament; _Kurukshetra_, however, is productive of good in respect of
all the three worlds. Even the dust of Kurukshetra, carried by the wind,
leadeth sinful men to a highly blessed state. They that reside in
Kurukshetra, which lieth to the north of the Drishadwati and the south
of the Saraswati, really reside in heaven. '_I will go to Kurukshetra,'
'I will dwell in Kurukshetra_,' he that uttereth those words even once,
becometh cleansed of all sins. The sacred _Kurukshetra_ which is
worshipped by Brahmarshis, is regarded as the sacrificial altar of the
celestials. Those mortals that dwell there, have nothing to grieve for
at any time. That which lieth between Tarantuka and Arantuka and the
lakes of Rama and Machakruka is Kurukshetra. It is also called
_Samantapanchaka_ and is said to be the northern sacrificial altar of
the Grandsire."'"
SECTION LXXXIV
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account