The Makers of Modern Rome, in Four Books — John Shaqi
The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
Such was the first religious community in Rome. It was the natural
home of Marcella to which her friends gathered, without in most cases
deserting their own palaces, or forsaking their own place in the
world--a centre and home of the heart, where they met constantly, the
residents ever ready to receive, not only their closer associates, but
all the society of Roman ladies, who might be attracted by the higher
aspirations of intellect and piety. Not a stone exists of that noble
mansion now, but it is supposed to have stood close to the existing
church of Sta. Sabina, an unrivalled mount of vision. From that mount
now covered with so many ruins the ladies looked out upon the yet
unbroken splendour of the city, Tiber far below sweeping round under
the walls. Palatinus, with the "white roofs" of that home to which
Horatius looked before he plunged into the yellow river, still stood
intact at their right hand: and, older far, and longer surviving, the
wealth of nature, the glory of the Roman sky and air, the
white-blossomed daphne and the starry myrtle, and those roses which
are as ancient inhabitants of the world as any we know flinging their
glories about the marble balustrades and making the terraces sweet.
There would they walk and talk, the recluses at ease and simple in
their brown gowns, the great ladies uneasy under the weight of their
toilettes, but all eager to hear, to tell, to read the last letter
from the East, from the desert or the cloister, to exchange their
experiences and plan their charities. There is nothing ascetic in the
picture, which is a very different one from that of those austere
solitudes of the desert, which had suggested and inspired it--the lady
Paula tottering in, with a servant on either side to conduct her to
the nearest couch, and young Blæsilla making a brilliant irruption in
all her bravery, with her jewels sparkling and her transparent veil
floating, and her golden heels tapping upon the marble floor. This is
not how we understand the atmosphere of a convent; yet, if fact were
taken into due consideration, the greatest convents have been very
like it, in all ages--the finest ladies having always loved that
intercourse and contrast, half envious of the peace of their
cloistered sisters, half pleased to dazzle them with a splendour which
never could be theirs.
Public-domain text, read in full here on John Shaqi.
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