The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
masters of the world. It was worse than destruction, a more dreadful
overthrow than anything that the Goths and barbarians could bring--not
death which brings a satisfaction of all necessities in making an end
of them--but that death in life which fills men's blood with cold.
The pictures left us of this condition of affairs do indeed chill the
blood. It is natural that there should be a certain amount of
exaggeration in them. We read daily in our own contemporary annals,
records of society of which we are perfectly competent to judge, that
though true to fact in many points, they give a picture too dark in
all its shadows, too garish in its lights, to afford a just view of
the state of any existing condition of things. Contemporaries know how
much to receive and how much to reject, and are apt to smile at the
possibility of any permanent impression upon the face of history being
made by lights and darks beyond the habit of nature. But yet when
every allowance has been made, the contemporary pictures of Rome at
this unhappy period leave an impression on the mind which is not
contradicted but supported and enforced by the incidents of the time
and the course of history. The populace, which had for ages been fed
and nourished upon the bread of public doles and those entertainments
of ferocious gaiety which deadened every higher sense, had sunk into
complete debasement. Honest work and honest purpose, or any hope of
improving their own position, elevating themselves or training their
children, do not seem to have existed among them. A half-ludicrous
detail, which reminds us that the true Roman had always a trifle of
pedantry in his pride, is noted with disgust and disdain even by
serious writers--which is that the common people bore no longer their
proper names, but were known among each other by nicknames, such as
those of Cabbage-eaters, Sausage-mongers, and other coarse familiar
vulgarisms. This might be pardoned to the crowd which spent its idle
days at the circus or spectacle, and its nights on the benches in the
Colosseum or in the porch of a palace; but it is difficult to
exaggerate the debasement of a populace which lived for amusement
alone, picking up the miserable morsels which kept it alive from any
chance or tainted source, without work to do or hope of amelioration.
They formed the shouting, hoarse accompaniment of every pageant, they
swarmed on the lower seats of every amphitheatre, howling much
criticism as well as boisterous applause, and keeping in fear, and
disgusted yet forced compliance with their coarse exactions, the
players and showmen who supplied their lives with an object. According
to all the representations that have reached us, nothing more degraded
than this populace--encumbering every portico and marble stair,
swarming over the benches of the Colosseum, basking in filth and
idleness in the brilliant sun of Rome, or seeking, among the empty
glories of a triumphal age gone by, a lazy shelter from it--has ever
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