The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
been known.
The higher classes suffered in their way as profoundly, and with a
deeper consciousness, from the same debasing influences of stagnation.
The descriptions of their useless life of luxury are almost too
extravagant to quote. "A loose silken robe," says the critic and
historian of the time, Ammianus Marcellinus, speaking of a Roman
noble,--"for a toga of the lightest tissue would have been too heavy
for him--linen so transparent that the air blew through it, fans and
parasols to protect him from the light, a troop of eunuchs always
round him." This was the appearance and costume of a son of the great
and famous senators of Rome. "When he was not at the bath, or at the
circus to maintain the cause of some charioteer, or to inspect some
new horses, he lay half asleep upon a luxurious couch in great rooms
paved with marble, panelled with mosaic." The luxurious heat implied,
which makes the freshness of the marble, the thinness of the linen, so
desirable, as in a picture of Mr. Alma Tadema's, bids us at the same
time pause in receiving the whole of this description as
unquestionable; for Rome has its seasons in which vast chambers paved
with marble are no longer agreeable, though the manners and utterances
of the race still tend to a complete ignoring of this other side of
the picture: but yet no doubt its general features are true.
When this Sybarite went out it was upon a lofty chariot, where he
reclined negligently, showing off himself, his curled and perfumed
locks, his robes, with their wonderful embroideries and tissues of
silk and gold, to the admiration of the world; his horses' harness
were covered with ornaments of gold, his coachman armed with a golden
wand instead of a whip, and the whole equipage followed by a
procession of attendants, slaves, freedmen, eunuchs, down to the
knaves of the kitchen, the hewers of wood and drawers of water, to
give importance to the retinue, which pushed along through the streets
with all the brutality which is the reverse side of senseless display,
pushing citizens and passers-by out of the way. The dinner parties of
the evening were equally childish in their extravagance: the tables
covered with strange dishes, monsters of the sea and of the mountains,
fishes and birds of unknown kinds and unequalled size. The latter
seems to have been a special subject of pride, for we are told of the
servants bringing scales to weigh them, and notaries crowding round
with their tablets and styles to record the weight. After the feast
came a "hydraulic organ," and other instruments of corresponding
magnitude, to fill the great hall with resounding music, and
pantomimical plays and dances to enliven the dulness of the luxurious
spectators on their couches--"women with long hair, who might have
married and given subjects to the state," were thus employed, to the
indignation of the critic.
Public-domain text, read in full here on John Shaqi.
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